Modern Architecture Of Quito
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Modern Architecture of Quito
Author: Christian Parreno
language: en
Publisher: Bloomsbury Publishing
Release Date: 2024-08-22
Situated at the crossroads of the foreign and the vernacular, Quito-the capital of Ecuador, with its world-famous yet understudied built environment-stands as a testament to architectural in-betweenness. This book interweaves history and theory to explore how near and far influences have shaped its unique character. Case studies present diverse and unexpected episodes in the architectural history of this city, spanning the intricacies of its topography, the design of modernist houses and the appropriation of the motel typology. Together, they show how fluxes of different origins have created an architecture marked by diversity and interrelation. To theoretically frame these investigations, this anthology readdresses the notions of the global and the local, examining their tension and unavoidable coexistence, while introducing the in-between as a phenomenon with many variations and embodiments, increasingly referenced in architectural thinking. This book not only furthers the evolution of these concepts but also demonstrates their value as tools for analyzing the architectures of Latin America and the Global South more broadly. With contributions from both international experts and a new generation of Ecuadorian scholars, Modern Architecture of Quito is an indispensable resource for students and researchers investigating the development of architectural modernism in Latin America.
Modern Architecture of Quito
Author: Christian Parreno
language: en
Publisher: Bloomsbury Publishing
Release Date: 2024-08-22
Situated at the crossroads of the foreign and the vernacular, Quito-the capital of Ecuador, with its world-famous yet understudied built environment-stands as a testament to architectural in-betweenness. This book interweaves history and theory to explore how near and far influences have shaped its unique character. Case studies present diverse and unexpected episodes in the architectural history of this city, spanning the intricacies of its topography, the design of modernist houses and the appropriation of the motel typology. Together, they show how fluxes of different origins have created an architecture marked by diversity and interrelation. To theoretically frame these investigations, this anthology readdresses the notions of the global and the local, examining their tension and unavoidable coexistence, while introducing the in-between as a phenomenon with many variations and embodiments, increasingly referenced in architectural thinking. This book not only furthers the evolution of these concepts but also demonstrates their value as tools for analyzing the architectures of Latin America and the Global South more broadly. With contributions from both international experts and a new generation of Ecuadorian scholars, Modern Architecture of Quito is an indispensable resource for students and researchers investigating the development of architectural modernism in Latin America.
Chilean Modern Architecture Since 1950
Author: Fernando Pérez Oyarzún
language: en
Publisher: Texas A&M University Press
Release Date: 2010
Chilean architecture--along with that of Sao Paolo and Mexico City--sets a benchmark for the intersection of modernism with vernacular influences in Latin America. Culture, landscape, and the geology of this earthquake-prone region have all served as important filters for the practice of post-1950s design in Chile. This volume introduces the modern architecture of Chile to readers in the United States. Looking primarily at domestic architecture as a lens for studying the larger movement, Fernando Perez Oyarzun considers the relationship between theory and practice in Chile. As he shows in his chapter, during the early 1950s the School of Valparaiso offered the possibility of developing experimental projects accompanied by theoretical statements. There, visual artists considered poetry the starting point of modern architecture and contributed their radically modern views to the design process of the project. Next, Rodrigo Perez de Arce examines the material context of architecture in Chile: the availability of materials and technologies, the frequency of violent earthquakes and related seismic activity, and the nation's craft-based, labor-intensive building practices. He applies these considerations to a series of case studies to demonstrate how they interact with cultural, historical, economic, and even political influences. In the book's final chapter, Horacio Torrent reviews the interplay between the architectonic culture and modern shapes that came into sharp focus in the 1950s in Chile. In another series of case studies, he highlights the formation of a system of concepts, thought processes, instruments, and values that have given Chilean architecture a certain singularity during the last fifty years.