Mirrors Of The Divine
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Divine Mirrors
Through a unique and stunning collection of paintings, sculpture, rare books, and works on paper, Divine Mirrors examines the complex relationship between sacred imagery and secular identity in the art of the Madonna. This magnificent work--born from a multi-year project that included a museum exhibition, scholarly symposium, and reinstallation of a segment of the permanent collection of the Davis Museum and Cultural Center at Wellesley College--features the work of such renowned artists as Il Pintoricchio, Mantegna, Munch, and Leger, alongside fresh, undiscovered masters and little-known works of art. The book's fifty catalogue entries range from a rare thirteenth-century panel painting to a specially commissioned artwork exploring the intersection of religion and modern life. This volume investigates everything from non-Western perceptions of European religious practices to the Virgin Mary's voice in musical composition. In the opening essay "The Many Names of the Mother of God" noted scholar Robert A. Orsi considers why images of Mary offer contemporary Americans such a powerful visual experience. Unlike paintings and sculptures created solely for aesthetic contemplation, Orsi writes, images of Mary are more than just artistic representations--they become for us an embodiment of the Virgin Mother herself. Then, moving into the historical realm, editor Melissa R. Katz guides us on a twenty-century chronological tour that explores the intersection of art history and world history in representations of Mary. Katz's essay "Regarding Mary: Women's Lives Reflected in the Virgin's Image" takes the elements of Marian iconography most relevant to the study of art and weaves them together to provide a guide for modern audiences to engage with the religious origins of our common artistic legacy. Filled with fascinating information, this important work requires no particular background in art history, religion, or the Bible. Readers of all levels will be rewarded with an in-depth encounter of a remarkable and complex figure."
The Goddesses' Mirror
Author: David Kinsley
language: en
Publisher: State University of New York Press
Release Date: 1988-11-28
In this book, you can see how the divine has been perceived in feminine form. Here are ten of the best known goddesses from a variety of cultures -- East and West, past and present. A wide range is presented, from the fierce Durga, to the gentle, but firm, Sita; from the erotic goddeses Inanna and Aphrodite, to the chaste figures of Mary and Athena; from goddesses closely associated with material wealth such as Laksmi, to ethereal goddesses such as Kuan-yin. Each goddess is treated separately in considerable detail to provide a distinct and clear portrait of her special "personality" and meaning within her own cultural context. At the same time, each chapter has a similar structure and style to enhance comparisons among the goddesses. An attempt is made in each case to draw upon both elite and popular sources of information. The Introduction and Conclusion consider important central questions closely connected with goddess scholarship, for example, the possibility of a prepatriarchal culture in which goddess worship was central, the difficulty of recovering female religious experience in goddess traditions that exist in male-dominated cultures, and the extent to which an overarching goddess theology can be implied in the goddess traditions that remain known to us.
Mirrors of the Divine
"There has long been a curious fascination with eyes and mirrors as evident throughout art, film, and literature. From fantastical characters who shoot lasers from their eyes to those whose memories are altered visually, the way in which a story portrays the function of the eyes demonstrates the way the storyteller imagines the character's relationship to the world. Is the character powerful or powerless? Does she impact her world or is she impacted by that world? The storyteller's portrayal of vision answers those questions and reveals deeper assumptions about the individual and her ability to move within and to know her world. While eyes are associated with interacting with this world, mirrors are distinctly associated with interacting with some other world. Mirrors function as portals to other worlds, windows that glimpse an alternate reality, or harmful traps that hide sinister intentions. How an author portrays eyes reveals how she understands the world, while how she portrays mirrors reveals how she imagines the unknown"--