Mighty Like A River
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Mighty Like a River
Author: Andrew Billingsley
language: en
Publisher: Oxford University Press
Release Date: 1999-06-24
Throughout the history of the African American people there has been no stronger resource for overcoming adversity than the black church. From its role in leading a group of free Blacks to form a colony in Sierra Leone in the 1790s to helping ex-slaves after the Civil War, and from playing major roles in the Civil Rights Movement to offering community outreach programs in American cities today, black churches have been the focal point of social change in their communities. Based on extensive research over several years, Mighty Like a River is the first comprehensive account of how black churches have helped shape American society. An expert in African American culture, Andrew Billingsley surveys nearly a thousand black churches across the country, including its oldest, the First African Baptist Church in Savannah, Georgia. These black churches, whose roots extend back to antebellum times, have periodically confronted social, economic, and political problems facing the African American community. Mighty Like a River addresses such questions as: How widespread and effective is the community activity of black churches? What are the patterns of activities being undertaken today? How do activist churches confront such problems as family instability, youth development, AIDS and other health issues, and care for the elderly? With profiles of the remarkable black heroes and heroines who helped create the activist church, and a compelling agenda for expanding the black church's role in society at large, Mighty Like a River is an inspirational, visionary, and definitive account of the subject.
Post-bellum, Pre-Harlem
The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. Christened the “Post-Bellum-Pre-Harlem” era by the novelist Charles Chesnutt, these years look back to the antislavery movement and forward to the artistic flowering and racial self-consciousness of the Harlem Renaissance. Post-Bellum, Pre-Harlem offers fresh perspectives on the literary and cultural achievements of African American men and women during this critically neglected, though vitally important, period of our nation's past. Using a wide range of disciplinary approaches, the sixteen scholars gathered here offer both a reappraisal and celebration of African American cultural production during these influential decades. Alongside discussions of political and artistic icons such as Booker T. Washington, W.E.B. Du Bois, Henry Ossawa Tanner, and James Weldon Johnson are essays revaluing figures such as the writers Paul and Alice Dunbar-Nelson, the New England painter Edward Mitchell Bannister, and Georgia-based activists Lucy Craft Laney and Emmanuel King Love. Contributors explore an array of forms from fine art to anti-lynching drama, from sermons to ragtime and blues, and from dialect pieces and early black musical theater to serious fiction. Contributors include: Frances Smith Foster, Carla L. Peterson, Gwendolyn DuBois Shaw, Audrey Thomas McCluskey, Barbara Ryan, Robert M. Dowling, Barbara A. Baker, Paula Bernat Bennett, Philip J. Kowalski, Nikki L. Brown, Koritha A. Mitchell, Margaret Crumpton Winter, Rhonda Reymond, and Andrew J. Scheiber.
Dew Drops
Author: Rodrick Rajive Lal
language: en
Publisher: Partridge Publishing India
Release Date: 2014-06-18
This book contains an assorted collection of poems that deal with life in its various forms.Spanning two different continents, it celebrates the rich cultural diversity of life in both countries - Ethiopia with its unique and rich Old Testament culture, and India with its rich mix of ancient rituals, traditions and spicy food. It is about all the complex emotions that affect us - joy, sadness, bitterness, acceptance and ultimately and understanding that comes from experience. The collection contains poems that deal with profound themes and also poems that reflect the memories of childhood. You don't read the book at one go, but go through each poem savoring each one with its distinct flavor.