Michael Craig Martin The Complete Prints And Multiples
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Michael Craig-Martin
The complete prints and multiples of one of Britain's most influential artists. Sir Michael Craig-Martin is one of Britian's most celebrated and influential artists working today. To coincide with a major retrospective exhibition at the Royal Academy, this volume is the catalogue raisonné of Craig-Martin's entire work in print and multiples. Having produced his earliest prints in the late 1960s and early 1970s, the artist has made printmaking an important part of his practice for the past thirty-five years, alongside his distinctive wall pieces, paintings, and sculptures. Screenprints, letter-press, pigment prints lightboxes and computer works all present his familiar signature style of everyday objects drawn in outline and often in intense saturated colours. A text by the acclaimed writer Michael Bracewell considers the significance of prints and printmaking in Craig-Martin's work. Featuring high-quality reproductions of almost 300 works, this book is the complete resource for specialist and general reader alike.
Eye on Europe
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
The Routledge Companion to Marxisms in Art History
This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular. Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history. This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art.