Meteor Garden
Download Meteor Garden PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Meteor Garden book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
TV China
If radio and film were the emblematic media of the Maoist era, television has rapidly established itself as the medium of the "marketized" China and in the diaspora. In less than two decades, television has become the dominant medium across the Chinese cultural world. TV China is the first anthology in English on this phenomenon. Covering the People's Republic, Hong Kong, Taiwan, and the Chinese diaspora, these 12 original essays introduce and analyze the Chinese television industry, its programming, the policies shaping it, and its audiences.
The Chinese Censorship Discourse on Television Dramas
This book offers a compelling look at how television censorship in China works not just as top-down control but as interactions between state, industry, and viewers. As a historical study of the discourse on Chinese television censorship, it analyses debates around the censorship of popular television dramas in China and explores the controversies surrounding the televisual representation of history, violence, delinquency, and vulgarisation. Focusing on the idea of “worrying about the audience”, the book shows how concerns about young people’s morality, social responsibility, and cultural standards shape what (dis)appears on screen. Covering the early reform period to the 2010s, case studies include but are not limited to foreign action series (Garrison’s Gorillas), domestic melodramas (Yearnings), controversial historical dramas (Towards the Republic), Gangtai pop idol dramas (Meteor Garden), and playful wuxia comedies (My Own Swordsman). Each case reveals how censors, producers, and critics invoke imagined audiences—whether impressionable youth or patriotic citizens—to justify cutting or promoting content. By treating audiences as constructed categories rather than immutable groups, the book moves beyond seeing censorship as repression. Instead, it demonstrates how a refreshing take on censorship can shed light on the generation of new content, revive overlooked titles, and frame broader debates about culture, anxieties, and geopolitics. Drawing on regulatory documents, press reports, interviews, audience letters, and parents’ complaints, the book compares both popular hits and hidden gems, demonstrating how the discourse on melodrama, history, and martial arts genres reflects moral and commercial pressures in postsocialist China. In contributing to the burgeoning field of censorship studies which rethinks censorship as productive, rather than reductive, The Chinese Censorship Discourse on Television Dramas will be of huge interest to scholars and students of television studies, popular culture, censorship studies, Chinese studies, media studies, cultural studies, memory studies, social history, and politics.
Identity and Pleasure
Identity and Pleasure: The Politics of Indonesian Screen Culture critically examines what media and screen culture reveal about the ways urban-based Indonesians attempted to redefine their identity in the first decade of this century. Through a richly nuanced analysis of expressions and representations found in screen culture (cinema, television and social media), it analyses the waves of energy and optimism, and the disillusionment, disorientation and despair, that arose in the power vacuum that followed the dramatic collapse of the militaristic New Order government. While in-depth analyses of identity and political contestation within the nation are the focus of the book, trans-national engagements and global dimensions are a significant part of the story in each chapter. The author focuses on contemporary cultural politics in Indonesia, but each chapter contextualizes current circumstances by setting them within a broader historical perspective.