Metaphors In Architecture And Urbanism
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Metaphors in Architecture and Urbanism
Architecture and urbanism seem to be »weak« disciplines, constantly struggling for a better understanding of their nature and disciplinary borders. The huge amount of metaphors appearing in the discourse of both not only reference to their creative nature but also indicate their weakness and the missing piece strengthening their own understanding: a definition of space for architecture and of city for urbanism. But using metaphors in this field implies a problem – though metaphors achieve to bring opposites together, there remains the question how literal they can actually become in order to relate to these subjects properly. In this volume, several authors from various fields using different approaches discuss this question.
Metaphorical Practices in Architecture
Metaphors are diversly and intricately embedded in architectural practice and discourse. Precisely for this reason, this volume argues and sets out to explore, how they can be engaged to critically interrogate architecture’s social, cultural and political dimensions – past and present – and to productively challenge and intervene with established perspectives, debates and practices. Mapping out not just potentials but also addressing the challenges, limitations and dangers inherent in using metaphors in architectural research and practice, the volume prominently illustrates the ambiguity and contradictoriness inherent in both metaphors and the process of engaging and exploiting them. Covering a broad range of historical and geographical cases and concerns, the contributions illustrate effectively that metaphors can expand or narrow our engagement with architecture, and consolidate or legitimise but also destabilise and challenge established social, cultural, disciplinary and political structures, concepts and categories. With its aim to explore metaphors as both subject and method to critically challenge and expand established practices, perspectives and standards in architectural research and practice, the volume will be of interest for scholars working across the architectural humanities, including architectural history, theory, culture, design and urbanism, as well as for researchers concerned with architecture and the city from fields such as cultural, visual and area studies as well as art history.
Metaphor
Each of these Analysing Architecture Notebooks is devoted to a particular theme in understanding the rich and varied workings of architecture. They can be thought of as addenda to the foundation volume Analysing Architecture, which first appeared in 1997 and has subsequently been enlarged in three further editions. Examining these extra themes as a series of Notebooks, rather than as additional chapters in future editions, allows greater space for more detailed exploration of a wider variety of examples, whilst avoiding the risk of the original book becoming unwieldy. Metaphor is the most powerful component of the poetry of architecture. It has been a significant factor in architecture since the earliest periods of human history, when people were finding ways to give order and meaning to the world in which we live. It is arguable that architecture began with the realisation of metaphor in physical form, and that subsequent movements – from Greek to Gothic, Renaissance to Modern, Victorian to Vernacular... – have all been driven by the emergence or rediscovery of different metaphors by which architecture might be generated.