Messalina

Messalina

The shocking and scandalous story of Messalina—the third wife of Emperor Claudius—one of the most controversial women to have inhabited the Roman world. The lubricious image of the Empress Messalina as a ruthless, predatory, and sexually insatiable schemer—derived from the work of male historians such as Tacitus and Suetonius—has taken deep root in the Western imagination. Here, the classicist Honor Cargill-Martin puts this traditional narrative of Messalina to the test. She looks first at Messalina's life as it is recounted in the primary sources, before using material and circumstantial evidence to reconstruct each aspect of Messalina's character: politician, wife, adulteress, and prostitute. Finally, she explores how posterity has memorialized Messalina, whether as artist's muse, epitome of depraved pagan womanhood, or as libertine icon portrayed in literature and film. Cargill-Martin sets out not to entirely rewrite Messalina's history, or to salvage her reputation, but to look at her life in the context of her time and to reclaim the humanity of a life story previously defined by currents of high politics and patriarchy.

Messalina

Roman Sexualities

This collection of essays seeks to establish Roman constructions of sexuality and gender difference as a distinct area of research, complementing work already done on Greece to give a fuller picture of ancient sexuality. By applying feminist critical tools to forms of public discourse, including literature, history, law, medicine, and political oratory, the essays explore the hierarchy of power reflected so strongly in most Roman sexual relations, where noblemen acted as the penetrators and women, boys, and slaves the penetrated. In many cases, the authors show how these roles could be inverted--in ways that revealed citizens' anxieties during the days of the early Empire, when traditional power structures seemed threatened. In the essays, Jonathan Walters defines the impenetrable male body as the ideational norm; Holt Parker and Catharine Edwards treat literary and legal models of male sexual deviance; Anthony Corbeill unpacks political charges of immoral behavior at banquets, while Marilyn B. Skinner, Ellen Oliensis, and David Fredrick trace linkages between social status and the gender role of the male speaker in Roman lyric and elegy; Amy Richlin interrogates popular medical belief about the female body; Sandra R. Joshel examines the semiotics of empire underlying the historiographic portrayal of the empress Messalina; Judith P. Hallett and Pamela Gordon critique Roman caricatures of the woman-desiring woman; and Alison Keith discovers subversive allusions to the tragedy of Dido in the elegist Sulpicia's self-depiction as a woman in love.