Meri Jaan90

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Bombay, Meri Jaan

When King Charles Ii Of England Married Princess Catherine De Braganza Of Portugal In 1661, He Received As Part Of His Dowry The Isles Of Bom Bahia, The Good Bay. Reclaimed From The Sea, These Would Become The Modern City Of Bombay. A Marriage Of Affluence And Abject Poverty, Where A Grey Concrete Jungle Is The Backdrop To A Heady Potpourri Of Ethnic, Linguistic And Religious Subcultures, Bombay, Renamed Mumbai After The Goddess Mumbadevi, Defies Definition. Bombay, Meri Jaan, Comprising Poems And Prose Pieces By Some Of The Biggest Names In Literature, In Addition To Cartoons, Photographs, A Song And A Bombay Duck Recipe, Tries To Capture The Spirit Of This Great Metropolis. Salman Rushdie, Pico Iyer, Dilip Chitre, Saadat Hasan Manto, V.S. Naipaul, Khushwant Singh And Busybee, Among Others, Write About Aspects Of The City: The High-Rise Apartments And The Slums; Camaraderie And Isolation In The Crowded Chawls; Bhelpuri On The Beach And Cricket In The Gully; The Women'S Compartment Of A Local Train; Encounter Cops Who Battle The Underworld; The Jazz Culture Of The Sixties; The Monsoon Floods; The Shiv Sena; The Cinema Halls; The Sea. Vibrant, Engaging And Provocative, This Is An Anthology As Rich And Varied As The City It Celebrates.
In English, Faiz Ahmed Faiz

This book contains English translation of about 270 poems and quatrains derived from the 8 books of Urdu poetry that Faiz Ahmed Faiz published from 1941 to 1984, over a tumultuous period of 4 decades. For helping him and his poetry put in context, the book includes a ‘Preface’, how other writers viewed his poetry, including his own views on his poetry and how it sought social justice and freedom of speech and action, through his own incarcerations. This is another effort to bring to English readers poetry from a culturally philologically distant language and culture, and ‘A Word on Translation’ elaborates the issues involved. Recent Emergency in Pakistan (November 2007) also showed how relevant his poetry still was when protestors marched around, one of the slogans being, “Bol” (‘Speak Up’), the title of a poem he published in 1941.
Conjugations

Author: Sangita Gopal
language: en
Publisher: University of Chicago Press
Release Date: 2012-01-26
Bollywood movies have been long known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But when India entered the global marketplace in the early 1990s, its film industry transformed radically. Production and distribution of films became regulated, advertising and marketing created a largely middle-class audience, and films began to fit into genres like science fiction and horror. In this bold study of what she names New Bollywood, Sangita Gopal contends that the key to understanding these changes is to analyze films’ evolving treatment of romantic relationships. Gopalargues that the form of the conjugal duo in movies reflects other social forces in India’s new consumerist and global society. She takes a daring look at recent Hindi films and movie trends—the decline of song-and-dance sequences, the upgraded status of the horror genre, and the rise of the multiplex and multi-plot—to demonstrate how these relationships exemplify different formulas of contemporary living. A provocative account of how cultural artifacts can embody globalization’s effects on intimate life, Conjugations will shake up the study of Hindi film.