Meg S Tiny Red Teddy Leveled Reader Bookroom Package Magenta Levels 2 3

Meg's Tiny Red Teddy: Leveled Reader Bookroom Package Magenta (Levels 2-3)

A Year with Swollen Appendices

The diary and essays of Brian Eno republished twenty-five years on with a new introduction by the artist in a beautiful hardback edition. 'One of the seminal books about music . . . an invaluable insight into the mind and working practices of one of the industry's undeniable geniuses.' GUARDIAN At the end of 1994, Brian Eno resolved to keep a diary. His plans to go to the cinema, theatre and galleries fell quickly to the wayside. What he did do - and write - however, was astonishing: ruminations on his collaborative work with David Bowie, U2, James and Jah Wobble, interspersed with correspondence and essays dating back to 1978. These 'appendices' covered topics from the generative and ambient music Eno pioneered to what he believed the role of an artist and their art to be, alongside adroit commentary on quotidian tribulations and happenings around the world. This beautiful 25th-anniversary hardcover edition has been redesigned in the same size as the diary that eventually became this book. It features two ribbons, pink paper delineating the appendices (matching the original edition) and a two-tone paper-over-board cover, which pays homage to the original design. An intimate insight into one of the most influential creative artists of our time, A Year with Swollen Appendices is an essential classic.

Too Much and Not the Mood

“[This] remarkable debut essay collection touches on art and literature and pop culture, but also feels intensely intimate, filled with stunning insights.” —Vulture On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words “too much and not the mood.” She was describing how tired she was of correcting her own writing, of the “cramming in and the cutting out” to please other readers, wondering if she had anything at all that was truly worth saying. The character of that sentiment, the attitude of it, inspired Durga Chew-Bose to write and collect her own work. The result is a lyrical and piercingly insightful collection of essays and her own brand of essay-meets-prose poetry about identity and culture. Inspired by Maggie Nelson’s Bluets, Lydia Davis’s short prose, and Vivian Gornick’s exploration of interior life, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression. Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a creative young woman working today, and shutting out the noise in order to hear your own voice. “When the world seems to be on fire, intuitive essays that focus on miniature aspects of the ordinary-everyday can serve as a balm . . . Her sentences [come] as close as language can to how it feels to be alive as a young woman, at a time in your life when every detail matters.” —San Francisco Chronicle “A self-portrait of the writer as intrepid mental wanderer . . . This is a book to slip into your pocket for company during a day of solitary walking.” —The New Yorker “Reveals a young author who is wise beyond her years and whose keen eye moves beyond tired tropes about identity struggles . . . Her ample talent and keenly observed essays will surely win her followers, especially at a time and place when authenticity is a rare and much-valued currency.”—Booklist (starred review) “Picking apart art and literature and blending it with observations from everyday life, Chew-Bose could make even the grayest day seem beautiful and fascinating.” —Rolling Stone