Medieval Art Architecture And Archaeology In Cracow And Lesser Poland
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Medieval Art, Architecture and Archaeology in Cracow and Lesser Poland
Author: Agnieszka Rożnowska-Sadraei
language: en
Publisher: Routledge
Release Date: 2014-09-09
The papers in this volume, which were presented in 2011, at the first conference the British Archaeological Association held in Poland, explore the medieval art, architecture and archaeology of the city of Cracow and the surrounding region of Lesser Poland, as well as venturing into southern Silesia and the Baltic coast of the country. The contributors study a wide range of subjects, from the Italian influences on Polish Romanesque architecture and the originality of Cracow's Romanesque churches to the impact of astronomical treatises on ecclesiastical sculpture and patronage. The cultural influence of the Cistercians is considered in four papers that highlight the contribution of the abbeys in Lesser Poland to the study of Cistercian monasticism and architecture, and the life of the Order. The fascinating topics of patronage, ceremony and power politics are studied in papers that explore foundations connected to Casimir the Great, the most celebrated of the Polish kings, and Zbigniew OleÅ_nicki, one of the most prolific episcopal patrons of the era. The volume highlights the role of Cracow and Lesser Poland as a vibrant artistic centre fostering links with Italy, Bohemia, Germany and France, but also touches on the cultural significance of two other important Hanseatic cities of medieval Poland â__ WrocÅ_aw and GdaÅ_sk. The contributors embrace a wide selection of media and approaches, from church architecture and monastic archaeology to sculpture, micro-architecture, manuscripts, and even medieval clocks. The papers raise issues not only of style, iconography, ceremony and patronage, but also of politics, economy, law, philosophy and theology, as well as horology, trade and shipbuilding. This collection, which brings together the work of British, Polish, French, German and Italian scholars on this artistically important yet little-studied region of medieval Europe, will be of lasting value to scholarship.
Medieval Art, Architecture and Archaeology in Cracow and Lesser Poland
Author: Agnieszka Roznowska-Sadraei
language: en
Publisher: Taylor & Francis
Release Date: 2024-11-01
This book explores the medieval art, architecture and archaeology of the city of Cracow and the surrounding region of Lesser Poland. It highlights the role of Cracow and Lesser Poland as a vibrant artistic centre fostering links with Italy, Bohemia, Germany and France.
Medieval Art, Architecture and Archaeology in Cambridge
Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work. The chapters in this volume cover a broad array of medieval, and later, buildings and objects in the city and its immediate surrounds, both from archaeological and thematic approaches. In addition, a number of chapters reflect on the legacy and influence medieval art and architecture had on the later city. Along with medieval colleges, chapels, and churches, buildings in villages outside the city are discussed and analysed. The volume also provides detailed studies of some of the most important master masons, glassmakers, and carpenters in the medieval city, as well as of patrons, building types, and institutional development. Both objects and makers, patrons, and users are represented by its contents. The volume sets the archaeological and art historical analysis in its socio-economic context; medieval Cambridge was a city located on major trade routes and with complex social and institutional differences. In an academic field increasingly shaped by interdisciplinary interest in material culture, Medieval Art, Architecture and Archaeology in Cambridge marks a major new contribution to the field, focussing on the complexity, variety, and specificity of the buildings and objects that define our understanding of Cambridge as a medieval city.