Max Bill S View Of Things
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The Prize of Success
In the small world of Swiss graphic design, prizes such as the Swiss Design Awards (SDA) are followed closely. The winners' works are admired, envied and emulated. The generous prize money allows designers to launch their careers and focus on lesser paid but critically recognised work. Awards thus play the role of bellwethers of the scene. However, criticisms inevitably arise. Speaking in hushed tones, designers speculate as to why a colleague won over another. Rumours have it that jury members favour their inner circles and exclude competitors. Analysing this universe in detail, Jonas Berthod retraces the recent history of the SDA and the emergence of a new design culture in Switzerland.
Material Imagination
Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, from 1946-1972. Provides a unique perspective on European art by prioritizing material dimensions over concept or context, while also paying attention to theoretical and historical concerns Explores artists’ methods and materials in order to better understand the social and cultural environments in which their works of art were made Demonstrates how materials can be harnessed to affect the critical interpretation of artwork Brings together exceptional illustrations and new research in eight essays by art historians and scholars
A Subversive Gleam: Max Bill and His Time: 1908-1939
The early life of a modernist polymath and concrete-art pioneer: the first of a new two-volume biography by Bill's widow, art historian Angela Thomas Swiss artist Max Bill (1908-94) was a master of many trades during his lifetime: he was at once an architect, graphic designer, painter, industrial designer and typeface designer. A student of greats such as Wassily Kandinsky and Paul Klee at the Bauhaus in Dessau, Bill developed his own unique practice of integrated design under their tutelage, cultivating a more contemporary interpretation of more traditional Bauhaus sensibilities. He went on to become one of the main advocates of the concrete art movement, joining the Allianz group of Swiss artists in 1937. In this first volume of a major new biography, Bill's widow, art historian Angela Thomas, recounts the formative years of Bill's life from his childhood in a small Swiss town to his time at the Bauhaus. With a lively cadence that speaks to her intimate knowledge of the architect himself, Thomas details Bill's beginnings in Zurich as a young independent designer as part of a larger portrait of Europe's political and artistic world in the decades before World War II. Originally written in German and now translated into English for the first time, A Subversive Gleamprovides readers with an in-depth account of the origins of one of Europe's most influential designers.