Material Witness
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MATERIAL WITNESS
The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milošević; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or “disaster film” produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed. An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.
Material Witness
Author: Robert K. Tanenbaum
language: en
Publisher: Open Road Media
Release Date: 2010-12-28
In this “wild, exhilarating ride” from the New York Times–bestselling author, a prosecutor goes undercover—on the court—after a basketball player’s murder (Chicago Tribune). Marion Simmons is big. He’s tough. And he takes a long time to die. Simmons survives the long ride through Queens, clinging to life until the car stops in an abandoned lot, and a hit man puts two bullets in his head. When the police arrive, they recognize the dead man instantly. Simmons is the most famous basketball player in New York City, and his murder—along with the fortune of cocaine found in the car—will turn the sport upside down. When he was in college, Butch Karp dreamed of playing professional basketball. Instead, he became the toughest prosecutor in the District Attorney’s office. To get to the truth of Simmons’ murder, Karp goes undercover as a player—putting his life on the line to cleanse the sport of drug dealing, point shaving, and murder for hire. From the former Manhattan assistant DA and bestselling author of Justice Denied, Material Witness is a standout legal thriller in the long-running Butch Karp and Marlene Ciampi series. Material Witness is the 5th book in the Butch Karp and Marlene Ciampi series, but you may enjoy reading the series in any order. “A winner . . . a master of the crime grime of Manhattan . . . for those who have stalked the criminal courts there’s tremendous authenticity.” —F. Lee Baily “Extraordinary . . . sexy dialogue, rousing action, pungent observation on the New York criminal justice system.” —Chicago Tribune
MATERIAL WITNESS
The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milošević; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or “disaster film” produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed. An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.