Mastering Shakespeare

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Mastering Shakespeare

Author: Richard Gill
language: en
Publisher: Bloomsbury Publishing
Release Date: 2017-03-01
Mastering Shakespeare covers in detail the plays set in the National Curriculum through GCSE and A-Level to the major elements of Shakespearean drama studied in further education courses. The book is divided into sections that deal with comedy, tragedy and history. Also included are detailed sections on the most popular plays in the theatre and in the examination room. The book deals with the basic themes of Shakespeare, the kinds of characters he created, the stories he was attracted to, and the ways in which the plays work out on stage. Among the plays studied are A Midsummer Night's Dream, Merchant of Venice, Julius Caesar, Romeo and Juliet and Hamlet.
Shakespeare for Grown-ups

'Rather jolly and very helpful’ The Times Need to swot up on your Shakespeare? The ultimate guide to the Bard, perfect for the Shakespeare aficionado and general reader alike. If you’ve always felt a bit embarrassed at your precarious grasp on the plot of Othello, or you haven’t a clue what a petard (as in ‘hoist with his own petard’) actually is, then fear not, because this, at last, is the perfect guide to the Bard. From the authors of the number-one bestselling Homework for Grown-ups, Shakespeare for Grown-ups is the essential book for anyone keen to deepen their knowledge of they plays and sonnets. For parents helping with their children’s homework, casual theatre-goers who want to enhance their enjoyment of the most popular plays and the general reader who feels they should probably know more about Britain’s most splendid scribe, Shakespeare for Grown-ups covers Shakespeare's time; his personal life; his language; his key themes; his less familiar works and characters; his most famous speeches and quotations; phrases and words that have entered general usage, and much more.
The Oxford Handbook of Shakespeare and Performance

Author: James C. Bulman
language: en
Publisher: Oxford University Press
Release Date: 2017-11-16
The Oxford Handbooks to Shakespeare are designed to record past and present investigations and renewed and revised judgments by both familiar and younger Shakespeare specialists. Each of these volumes is edited by one or more internationally distinguished Shakespeareans; together, they comprehensively survey the entire field. Shakespearean performance criticism has firmly established itself as a discipline accessible to scholars and general readers alike. And just as performances of the plays expand audiences' understanding of how Shakespeare speaks to them, so performance criticism is continually shifting the contours of the discipline. The 36 contributions in this volume represent the most current approaches to Shakespeare in performance. They are divided into four parts. Part I explores how experimental modes of performance ensure Shakespeare's contemporaneity. Part II tackles the burgeoning field of reception: how and why audiences respond to performances as they do. Part III addresses the ways in which technology has revolutionized our access to Shakespeare, both through the mediums of film and sound recording and through digitalization. Part IV grapples with 'global' Shakespeare, considering matters of cultural appropriation in productions played for international audiences. Together, these ground-breaking essays attest to the richness and diversity of Shakespearean performance criticism as it is practiced today