Marvel Tales Spidermancrime And Punishment
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Cloak And Dagger
Author: Marvel Comics
language: en
Publisher: Marvel Entertainment
Release Date: 2016-06-23
Collects Peter Parker, The Spectacular Spider-Man (1976) #64, #69-70, #81-82 And #94-96; Marvel Team-Up Annual #6; And Marvel Fanfare (1982) #19. Created by the underworld - sworn to destroy it! Cloak and Dagger hit the streets to fight organized crime and super villainy! When they set their sights on the Kingpin, Spider-Man thinks they're going too far, but his webs can't rein them in! Plus: The Punisher's on the prowl, and it's a problem for everybody! Guest-starring the Black Cat, the New Mutants and the Spidey supporting players of yesteryear!
The Boy Who Loved Batman
The Batman movie producer reveals how his childhood love of comic books became a lifelong passion and dream job in this illustrated memoir. Is any superhero cooler than Batman? He’s a crime-fighting vigilante with a tragic past, a lawless attitude, and a seemingly endless supply of high-tech gadgetry. In this fully illustrated memoir, author Michael Uslan recalls his journey from early childhood fandom through to the decades he spent on a caped crusade of his own: to bring Batman to the silver screen as the dark, serious character he was at heart. Uslan’s story traces his path from the wilds of New Jersey to the limelight of Hollywood, following his work as Executive Producer on every Batman film from Tim Burton’s 1989 re-envisioning to 2012’s The Dark Knight Rises. Through it all, he helped to create one of the most successful pop culture franchises of all time. “Don’t miss this spellbinding tale of one man who saw what Batman was—and realized what he could become.” —Stan Lee
All New, All Different?
Author: Allan W. Austin
language: en
Publisher: University of Texas Press
Release Date: 2019-11-05
Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.