Mark Mothersbaugh Myopia Book

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Mark Mothersbaugh

Mark Mothersbaugh is a legendary figure for fans of both street art and music culture. Cofounder of the seminal New Wave band DEVO, he was a prolific visual artist before the band's inception moving seamlessly between multiple mediums creating bold, cartoonish, strangely disturbed works of pop surrealism that playfully explore the relationship between technology and individuality. In the most comprehensive presentation of his work to date, Mark Mothersbaugh: Myopia features a lifetime of his creative inventions from the beginning of his artistic career in the 1970s to his most recent work, including early postcards, screen prints, decals, and DEVO ephemera as well as later paintings, photographs (such as the celebrated Beautiful Mutants series), sculpture, and rugs. Accompanied by a major six city traveling exhibition, this richly illustrated catalog positions Mothersbaugh as a pivitol figure in the history of both contemporary art and indie culture.
Devo's Freedom of Choice

Author: Evie Nagy
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2015-08-21
Finally, after all that waiting, The Future arrived in 1980. Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade's high-tech, free-market, pre-AIDS promise, 1980's Freedom of Choice would rocket what Devo co-founder Gerald Casale calls his "alternate universe, hermetically sealed, alien band" both into the arms of the Earthlings and back to their home planet in one scenic trip. Before an artistic and commercial decline that resulted in a 20-year gap between Devo's last two studio records, Freedom of Choice made them curious, insurgent superstars, vindicated but ultimately betrayed by the birth of MTV. Their only platinum album represented the best of their unreplicable code: dead-serious tricksters, embracing conformity in order to destroy it with bullet-proof pop sensibility. Through first-hand accounts from the band and musical analysis set against an examination of new wave's emergence, the first-ever authorized book about Devo (with a foreword by Portlandia's Fred Armisen) explores the group's peak of success, when their hermetic seal cracked open to let in mainstream attention, a legion of new Devotees, and plenty of misunderstandings. "Freedom of Choice was the end of Devo innocence–it turned out to be the high point before the s***storm of a total cultural move to the right, the advent of AIDS, and the press starting to figure Devo out and think they had our number," says Casale. "It's where everything changes."
Recombo DNA

Devo may have become synonymous with the crass commercialism of 80s new wave, but many of their guiding principles are firmly rooted in the idealism of the 60s. Taking a willfully non-traditional approach to the surprisingly conservative world of rock music, they sought inspiration instead from Dada and Pop art, comic books and homemade electronics, in the process crossing paths with everything from late 60s psychedelia and punk to krautrock and new wave. Recombo DNA is the first book to evaluate in the proper context the innovations and accomplishments of this truly groundbreaking band. Opening with the transformative effects of the May 4 1970 shootings at Kent State University--the aftershocks of which are felt throughout the book--author Kevin C. Smith traces the sounds and ideas that Devo absorbed and in turn brought to prominence as unlikely rock stars, dropping in along the way on recording in Germany with Brian Eno, post-apocalyptic filmmaking with Neil Young, and a Jamaican odyssey with Richard Branson. For anyone who has ever wondered where the band who fell to earth came from, here is the answer.