Marcus Makes A Movie Summary
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Revulsion: The Paradox of Disgust in the Rape-Revenge Narrative
The extant scholarship of the rape-revenge narrative has frequently either upheld this narrative form’s feminist bonafides (Clover) or condemned it as misogynistic (Creed). In this volume, West argues that these competing camps of thought have largely elided rape-revenge’s inherent ambivalence, which stems from the paradoxical role disgust plays in rape-revenge texts. That is, disgust is essential for portraying rape as the horrific act it is, but employing disgust in a rape-revenge text risks alienating audiences. To explore this issue, Brandon West first shows the strengths and pitfalls of different methods rape-revenge auteurs have used to approach this disturbing narrative form. Showing rape and revenge in graphic detail has well-documented issues in the scholarship, but the author shows how texts that eschew such graphic portrayals also have their own consequent weaknesses. Thereafter, West articulates the paradox of disgust so he can isolate this key issue hounding these texts and analyses thereof. Then, West shows how disgust plays multiple roles in these texts, roles that make the paradox more challenging to resolve. To this end, the book shows disgust not only risks alienating audiences but also forms part of the pleasure these texts offer audiences. And so, West enumerates the possible pleasures of disgust. Finally, this book pulls these threads together to examine a couple of final rape-revenge texts, one of which, 2017’s 'Revenge', West argues, is the most successful anti-rape narrative discussed in this volume because of the balance it strikes between evoking disgust and avoiding alienating audiences.
On Military Memoirs
Author: L.H.E. (Esmeralda) Kleinreesink
language: en
Publisher: BRILL
Release Date: 2016-10-11
Winner of the Caforio prize for the best book in armed forces and civil-military relations published between 2015 and 2016 In On Military Memoirs Esmeralda Kleinreesink offers insight into military books: who were their writers and publishers, what were their plots, and what motives did their authors have for writing them. Every Afghanistan war autobiography published in the US, the UK, Germany, Canada, and the Netherlands between 2001 and 2010 is compared quantitatively and qualitatively. On Military Memoirs shows that soldier-authors are a special breed; that self-published books still cater to different markets than traditionally published ones; that cultural differences are clearly visible between warrior nations and non-warrior nations; that not every contemporary memoir is a disillusionment story; and that writing is serious business for soldiers wanting to change the world. The book provides an innovative example of how to use interdisciplinary, mixed-method, cross-cultural research to analyse egodocuments.
I Don't Believe That Either . . . However
Author: Tucker E. Dawson
language: en
Publisher: Wipf and Stock Publishers
Release Date: 2024-01-24
This book is written for the thinking person who is struggling to believe. It does this by presenting Christianity as a matter of relationships. Good behavior and correct belief do not build relationships, but grow from them. The Bible tells the unfolding story of a relationship given, lost, and reoffered again and again. This is more clear when we begin here, below, where we are, accentuating God’s immanence over his transcendence. In such an approach, optional understandings of church teachings become evident, options that are biblically and theologically sound but are seldom offered. There is more than one way to skin a dogma. These alternatives to many teachings provide hope to those outside the church who wish for something more than competition for material possessions, and for those inside the church and struggling to stay. We are socialized into a scientific world view in which there is little room for spirituality. This tension between science and religion is addressed by the presentation of Christianity that is not anti-intellectual, rigid, or defensive. This book shows that we do not need to choose between our worldview and our faith.