Mao Ii Summary
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Mao II
WINNER OF THE PEN/FAULKNER AWARD • A profound novel about art, terror, masses, and the individual, from the National Book Award–winning author of White Noise, “one of the most ironic, intelligent, grimly funny voices to comment on life in present-day America” (The New York Times) “This novel’s a beauty. A vision as bold and a voice as eloquent and morally focused as any in American writing.”—Thomas Pynchon Bill Gray, a famous, reclusive novelist, emerges from his isolation when he becomes the key figure in an event staged to force the release of a poet hostage in Beirut. As Bill enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms, his dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott, and the strange young woman who is Scott’s lover—and Bill’s. An extraordinary novel about words and images, novelists and terrorists, the mass mind and the arch-individualist, Mao II is the work of an ingenious writer at the height of his powers.
Americana
“DeLillo’s swift, ironic, and witty cross-country American nightmare doesn't have a dull or an unoriginal line.”—Rolling Stone The first novel by Don DeLillo, author of White Noise (winner of the National Book Award) and The Silence At twenty-eight, David Bell is the American Dream come true. He has fought his way to the top, surviving office purges and scandals to become a top television executive. David’s world is made up of the images that flicker across America’s screens, the fantasies that enthrall America's imagination. When, at the height of his success, the dream (and the dream-making) become a nightmare, David sets out to rediscover reality. Camera in hand, he journeys across the country in a mad and moving attempt to capture and to impose a pattern on America’s—and his own—past, present, and future.
Chairman Mao's Children
In the 1960s and 1970s, around 17 million Chinese youths were mobilized or forced by the state to migrate to rural villages and China's frontiers. Bin Xu tells the story of how this 'sent-down' generation have come to terms with their difficult past. Exploring representations of memory including personal life stories, literature, museum exhibits, and acts of commemoration, he argues that these representations are defined by a struggle to reconcile worthiness with the political upheavals of the Mao years. These memories, however, are used by the state to construct an official narrative that weaves this generation's experiences into an upbeat story of the 'China dream'. This marginalizes those still suffering and obscures voices of self-reflection on their moral-political responsibility for their actions. Xu provides careful analysis of this generation of 'Chairman Mao's children', caught between the political and the personal, past and present, nostalgia and regret, and pride and trauma.