Manuel Altolaguirre
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Modernism and the New Spain
Author: Gayle Rogers
language: en
Publisher: Oxford University Press
Release Date: 2012-10-03
How and why did a country seen as remote, backwards, and barely European become a pivotal site for reinventing the continent after the Great War? Modernism and the New Spain argues that the "Spanish problem"-the nation's historically troubled relationship with Europe-provided an animating impulse for interwar literary modernism and for new conceptions of cosmopolitanism. Drawing on works in a variety of genres, Gayle Rogers reconstructs an archive of cross-cultural exchanges to reveal the mutual constitution of two modernist movements-one in Britain, the other in Spain, and stretching at key moments in between to Ireland and the Americas. Several sites of transnational collaboration form the core of Rogers's innovative literary history. The relationship between T. S. Eliot's Criterion and José Ortega y Gasset's Revista de Occidente shows how the two journals joined to promote a cosmopolitan agenda. A similar case of kindred spirits appears with the 1922 publication of Joyce's Ulysses. The novel's forward-thinking sentiments on race and nation resonated powerfully within Spain, where a generation of writers searched for non-statist forms through which they might express a new European Hispanicity. These cultural ties between the Anglo-Irish and Spanish-speaking worlds increased with the outbreak of civil war in 1936. Rogers explores the connections between fighting Spanish fascism and dismantling the English patriarchal system in Virginia Woolf's Three Guineas, along with the international, anti-fascist poetic community formed by Stephen Spender, Manuel Altolaguirre, and others as they sought to establish Federico García Lorca as an apolitical Spanish-European poet. Mining a rich array of sources that includes novels, periodicals, biographies, translations, and poetry in English and in Spanish, Modernism and the New Spain adds a vital new international perspective to modernist studies, revealing how writers created alliances that unified local and international reforms to reinvent Europe not in the London-Paris-Berlin nexus, but in Madrid.
Revolutionary Memory
Revolutionary Memory is the most important book yet to be published about the vital tradition of leftwing American Poetry. As Cary Nelson shows, it is not only our image of the past but also our sense of the present and future that changes when we recover these revolutionary memories. Making a forceful case for political poetry as poetry, Nelson brings to bear his extraordinary knowledge of American poets, radical movements, and social struggles in order to bring out an undervalued strength in a literature often left at the canon's edge. Focused in part of the red decade of the 1930s, RevolutionaryMemory revitalizes biographical criticism for writers on the margin and shows us for the first time how progressive poets fused their work into a powerful chorus of political voices. Richly detailed and beautifully illustrated with period engravings and woodcuts, Revolutionary Memory brings that chorus dramatically to life and set a cultural agenda for future work.
The Wound and the Dream
Author: Cary Nelson
language: en
Publisher: University of Illinois Press
Release Date: 2002
When the United States and other powers declined to help fight fascist power at the onset of the Spanish Civil War, forty thousand private citizens from fifty-two countries rallied to join the International Brigade's defense of the Spanish Republic. Born out of the struggle between fascism and democracy and considered the first battle of World War II, the Spanish Civil War holds tremendous ideological significance and has inspired a remarkable range of American poetry. The Wound and the Dream represents the sixty-year tradition of American poetic responses to the Spanish Civil War and provides an overview of progressive American poetry as a whole. Four of the featured poets--Alvah Bessie, William Lindsay Gresham, James Neugass, and Edwin Rolfe--were members of the International Brigade. Their poetry appears alongside lesser-known works by some of the greatest American poets of the twentieth century, including Wallace Stevens, Edna St. Vincent Millay, Randall Jarrell, Langston Hughes, and Philip Levine. Cary Nelson's introduction discusses the collective nature of the poems, puts them in their international context, and provides a sturdy framework for interpreting the Spanish Civil War as a historical conjecture that has dramatically altered the ways we read and write poetry. The book also includes a brief biography of each poet and a glossary of related terms.