Manuale D Amore
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The Multi-Protagonist Film
Author: María del Mar Azcona
language: en
Publisher: John Wiley & Sons
Release Date: 2011-07-11
The Multi-Protagonist Film is an insightful and provocative introduction to this important new genre. Explores the origins and history of one of the most exciting new developments in contemporary film worldwide Guides readers through the genre’s central characteristics and conventions, as well as it's evolution and cultural relevance Provides a theoretical framework that is developed through the analysis several films, including Grand Hotel, Singles, American Pie, Short Cuts, and Syriana. Reveals the duality of the genre's contemporary preoccupations: the impact of globalization on human lives versus the current state of intimate affairs, the crisis of marriage, and the proliferation of sexual choices
New Approaches to Teaching Italian Language and Culture
Author: Emanuele Occhipinti
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2008-12-11
New Approaches to Teaching Italian Language and Culture fills a major gap in existing scholarship and textbooks devoted to the teaching of Italian language and culture. A much-needed project in Italianistica, this collection of essays offers case studies that provide a coherent and organized overview of contemporary Italian pedagogy, incorporating the expertise of scholars in the field of language methodology and language acquisition from Italy and four major countries where the study of Italian has a long tradition: Australia, Canada, Great Britain and the United States. The twenty four essays, divided into six main parts, offer a tremendous variety of up-to-date approaches to the teaching of Italian as a foreign language and L2, ranging from theoretical to more practical, hands-on strategies with essays on curricular innovations, technology, study abroad programs, culture, film and song use as effective pedagogical tools. Each case study introduces a systematic approach with an overview of theory, activities and assessment suggestions, collection of research data and syllabi. The book addresses the needs of instructors and teacher trainers, putting in perspective different examples that can be used for more effective teaching techniques according to the ACTFL guidelines and the Common European Framework of Reference for Languages.
Screening Religions in Italy
Author: Clodagh J. Brook
language: en
Publisher: University of Toronto Press
Release Date: 2019-11-13
Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy's development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent return of religious discourse from the margins of Western society to a central position is a sign of what German philosopher, J?rgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world - the divide between absolutist extremist Islamic faith and liberal, but Christian-inflected, secular values - has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television fiction, Screening Religions in Italy identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens. It spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. It treats films and television series that range from Moretti's Habemus Papam to Sorrentino's The Young Pope.