Mann Darpan Hai Jag Sara K L Saigal Song
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The Legacy of the Legend K.L. Saigal
Brief write-ups on the films of and lyrics of the songs sung by Kundan Lal Saigal, 1904-1947, actor and singer in Hindi films; includes Reminiscences about and articles on him.
THE INDIAN LISTENER
Author: All India Radio (AIR),New Delhi
language: en
Publisher: All India Radio (AIR),New Delhi
Release Date: 1940-07-22
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-07-1940 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 82 VOLUME NUMBER: Vol. V, No. 15 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 1131-1190 ARTICLE: 1. India's Military War Effort 2. Progress Of Broadcasting In India AUTHOR: 1. Maj.-Gen. G. N. Molesworth 2. Unknown KEYWORDS: 1. War, Programme, India 2. Radio Development, Mediumwave Centres, Dacca, Community Village Sets Document ID: INL-1940 (J-D) Vol- II (02)
Global Bollywood
Bollywood movies and their signature song-and-dance spectacles are an aesthetic familiar to people around the world, and Bollywood music now provides the rhythm for ads marketing goods such as computers and a beat for remixes and underground bands. These musical numbers have inspired scenes in Western films such as Vanity Fair and Moulin Rouge. Global Bollywood shows how this currency in popular culture and among diasporic communities marks only the latest phase of the genre’s world travels. This interdisciplinary collection describes the many roots and routes of the Bollywood song-and-dance spectacle. Examining the reception of Bollywood music in places as diverse as Indonesia and Israel, the essays offer a stimulating redefinition of globalization, highlighting the cultural influence of Hindi film music from its origins early in the twentieth century to today. Contributors: Walter Armbrust, Oxford U; Anustup Basu, U of Illinois, Urbana-Champaign; Nilanjana Bhattacharjya, Colorado College; Edward K. Chan, Kennesaw State U; Bettina David, Hamburg U; Rajinder Dudrah, U of Manchester; Shanti Kumar, U of Texas, Austin; Monika Mehta, Binghamton U; Anna Morcom, Royal Holloway College; Ronie Parciack, Tel Aviv U; Biswarup Sen, U of Oregon; Sangita Shrestova; Richard Zumkhawala-Cook, Shippensburg U. Sangita Gopal is assistant professor of English at the University of Oregon. Sujata Moorti is professor of women’s and gender studies at Middlebury College.