Man Thing By Steve Gerber The Complete Collection Vol 2


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Man-Thing By Steve Gerber


Man-Thing By Steve Gerber

Author: Various

language: en

Publisher: Marvel Entertainment

Release Date: 2016-10-26


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COLLECTING:ÿGIANT-SIZE MAN-THING 1-5, DAREDEVIL (1964) 113-114, MAN-THING (1974) 9-18; MATERIAL FROM MONSTERS UNLEASHED 8-9.

Man-Thing By Steve Gerber


Man-Thing By Steve Gerber

Author: Steve Gerber

language: en

Publisher: Marvel Entertainment

Release Date: 2015-10-14


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Marvel's melancholy muck-monster, by the man who knows him best! With the Nexus of All Realities as the ultimate staging post, prepare for the wildest journey of your life in this first volume of a complete collection of Steve Gerber's Man-Thing tales! Join the most startling swamp-creature of all in encounters with the Thing, sorcerers Dakimh and Jennifer Kale, and the most far-out fowl ever created, Howard the Duck! Plus: existential angst, clashes with the encroaching modern world, and the death of a clown! You won't be able to put this one down, but don't get scared, because whatever knows fear burns at the Man-Thing's touch! Collecting Astonishing Tales (1970) #12-13, Fear #11-19, Marvel Two-In-One #1 and Man-Thing (1974) #1-8. Plus, material from Savage Tales (1971) #1, Fear #10 and Monsters Unleashed #5.

Critical Approaches to Horror Comic Books


Critical Approaches to Horror Comic Books

Author: John Darowski

language: en

Publisher: Taylor & Francis

Release Date: 2022-08-16


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This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space. Paying attention to academic gaps in comics’ scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou’s Manga Adaptations of H.P. Lovecraft), as well as the United States. One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre.