Man On A String
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Man on a Rope
Author: George Harmon Coxe
language: en
Publisher: Open Road Media
Release Date: 2011-11-08
An amateur appraiser gets trapped in a chaotic diamond dealDIVAfter years trying to make their fortunes in the Guyanese diamond trade, Barry Dawson and Colin Lambert have crossed paths once too often. The last time Lambert hired Barry as an appraiser, Lambert cheated his old friend out of his share. Soured on the diamond business, Barry wants to return to the States and marry his hometown girl. Desperate for travel money, he takes one last job from Lambert. He will find that there is no safe exit from the diamond trade./divDIV /divDIVFor hours Barry sifts through a pile of stones, appraising them for sale to a tough named Hudson. They are the most beautiful diamonds he has ever seen—as a group, worth more than $100,000. The sealed package is pillow-shaped, weighs less than a pound, and will cost the blood of many men./div
The Espionage Filmography
From Sean Connery to Roy Rogers, from comedy to political satire, films that include espionage as a plot device run the gamut of actors and styles. More than just "spy movies," espionage films have evolved over the history of cinema and American culture, from stereotypical foreign spy themes, to patriotic star features, to the Cold War plotlines of the sixties, and most recently to the sexy, slick films of the nineties. This filmography comprehensively catalogs movies involving elements of espionage. Each entry includes release date, running time, alternate titles, cast and crew, a brief synopsis, and commentary. An introduction analyzes the development of these films and their reflection of the changing culture that spawned them.
The B List
What kind of collection could possibly find common ground among The Son of Kong, Platoon, and Pink Flamingos? What kind of fevered minds could conceive of such a list? What are the unheard-of qualities that tie them all together? The answers: This book. The National Society of Film Critics. And the far-reaching enticements of the B movie itself. Once the B movie was the Hollywood stepchild, the underbelly of the double feature. Today it is a more inclusive category, embracing films that fall outside the mainstream by dint of their budgets, their visions, their grit, and occasionally -- sometimes essentially -- their lack of what the culture cops call "good taste". The films in The B List are offbeat, unpredictable, and decidedly idiosyncratic. And that's why we love them.