Making War Making Women
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Making War, Making Women
Author: Melissa A. McEuen
language: en
Publisher: University of Georgia Press
Release Date: 2011-02-15
Drawing on war propaganda, popular advertising, voluminous government records, and hundreds of letters and other accounts written by women in the 1940s, Melissa A. McEuen examines how extensively women's bodies and minds became "battlegrounds" in the U.S. fight for victory in World War II. Women were led to believe that the nation's success depended on their efforts--not just on factory floors, but at their dressing tables, bathroom sinks, and laundry rooms. They were to fill their arsenals with lipstick, nail polish, creams, and cleansers in their battles to meet the standards of ideal womanhood touted in magazines, newspapers, billboards, posters, pamphlets and in the rapidly expanding pinup genre. Scrutinized and sexualized in new ways, women understood that their faces, clothes, and comportment would indicate how seriously they took their responsibilities as citizens. McEuen also shows that the wartime rhetoric of freedom, democracy, and postwar opportunity coexisted uneasily with the realities of a racially stratified society. The context of war created and reinforced whiteness, and McEuen explores how African Americans grappled with whiteness as representing the true American identity. Using perspectives of cultural studies and feminist theory, Making War, Making Women offers a broad look at how women on the American home front grappled with a political culture that used their bodies in service of the war effort.
Making Gender, Making War
Making Gender, Making War is a unique interdisciplinary edited collection which explores the social construction of gender, war-making and peacekeeping. It highlights the institutions and processes involved in the making of gender in terms of both men and women, masculinity and femininity. The "war question for feminism" marks a thematic red thread throughout; it is a call to students and scholars of feminism to take seriously and engage with the task of analyzing war. Contributors analyze how war-making is intertwined with the making of gender in a diversity of empirical case studies, organized around four themes: gender, violence and militarism; how the making of gender is connected to a (re)making of the nation through military practices; UN SCR 1325 and gender mainstreaming in institutional practices; and gender subjectivities in the organization of violence, exploring the notion of violent women and non-violent men.
The War on Women
Author: Sue Lloyd-Roberts
language: en
Publisher: Simon and Schuster
Release Date: 2016-08-11
‘She showed great courage and commitment in reporting from Burma and exemplified my belief that the best journalists are also the nicest’ – Aung San Suu Kyi ‘One of the most distinguished television journalists of her generation’ – Huw Edwards ‘Brilliant and indefatigable’ – Jeremy Bowen ‘She had something you call moral courage and it rubbed off on others’ – David Aaronovitch ‘She set the standard for bravery in many of the world’s nastiest places’ – John Fisher Burns, New York Times ‘She went to dangerous places to give a voice to people who otherwise would not be heard’ – Tony Hall, BBC Director General In 1973, Sue Lloyd-Roberts joined ITN as a news trainee and went on to be one of the UK's first video-journalists to report from the bleak outposts of the Soviet Union. Travelling as a tourist, she also gained access to some of the world’s most impenetrable places like China, Tibet and Burma. During her 40-year-long career she witnessed the worst atrocities inflicted on women across the world. But in observing first-hand the war on the female race she also documented their incredible determination to fight back. The War on Women brings to life the inconceivable and dangerous life Sue led. It tells the story of orphan Mary Merritt who, age sixteen, instead of being released from the care of nuns was interned by them in a Magdalen Laundry and forced to work twelve hours a day six days a week, without pay, for over a decade. She gives voice to Maimouna, the woman responsible for taking over her mother’s role as the village female circumciser in The Gambia and provides a platform for the 11-year-old Manemma, who was married off in Jaipur at the age of six. From the gender pay gap in Britain to forced marriage in Kashmir and from rape as a weapon of war to honour killings, Sue has examined humankind’s history and takes us on a journey to analyse the state of women’s lives today. Most importantly she acts as a mouthpiece for the brave ones; the ones who challenge wrongdoing; the ones who show courage no matter how afraid they are; the ones who are combatting violence across the globe; the ones who are fighting back. Sue sadly died in 2015, shortly after writing this book, today she is widely recognised as one of the most acclaimed television journalists of her generation. This book is the small tribute to the full and incredible life she lived and through it these women’s voices are still being heard.