Making Strange
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Making Strange
A richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, Making Strange reasserts the role of French photobooks in the history of modern art.
Mimesis
Valery Podoroga was one of the most important thinkers of his generation. Here his most famous work is translated into English for the first time. In it he gives a panorama view of Russian writing, focusing in on the work of Nikolai Gogol, Fyodor Dostoevsky and Andrei Bely. He identifies these authors as pioneers in creating an 'other literature'. This constituted a new form of mimesis or vision of the world, in opposition to the Imperial and national myths. In Mimesis Podoroga develops and elaborates his analytic anthropological approach on these authors with startling effect, excavating the identities and forms of Russian literature, and society. He places an emphasis on how a literary work is a process of world building: both internally by creating a fictive world, but also how it reflects the wider world in which it was produced, and the power with which it changes the world. Finally, the literary work's ability to exist in a time that is other than its own time, a time where it does not have a contemporary reader and an author who exercises his will, but where it nonetheless continues to mean something. Mimesis is rightly seen as the masterwork of one of the world's leading literary thinkers.
Making Strange: The Chara Schreyer Collection
Making Strange: The Chara Schreyer Collection brings together more than two hundred iconic art works that each in their own way ask us to reconsider how we look at the world. How do artists challenge us to see the everyday world around us with fresh eyes? How do they make our world strange? Making Strange: The Chara Schreyer Collection brings together nearly 250 art works spanning the course of more than 100 years of history that each in their own way ask us to reconsider how we look at the world. Brought together by Chara Schreyer over the course of three decades, the works in this volume invite us to rethink our perception of the everyday in the wake of Marcel Duchamp's radical re-imagination of the object of art and the Russian revolutionary-era literary critic Viktor Shklovsky's conception of "making strange." Whether looking at the idea of "making strange" in the work of Duchamp and Georgia O'Keefe, the legacy of minimalism and its discontents in the sculptures of Donald Judd and Felix Gonzalez Torres, the idea of disaster in America as seen through the eyes of Andy Warhol and Kara Walker, the concrete uses of language in the works of Lawrence Weiner and Glenn Ligon, or the restaging of life through the photographic medium in artists from Diane Arbus to Cindy Sherman, the essays in this catalogue reevaluate the relationship between art and the world and offer a new perspective on the personal act of collecting.