Making Sense Of Suffering A Collective Attempt

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Making Sense of Suffering: A Collective Attempt

This volume was first published by Inter-Disciplinary Press in 2013. In November 2011, academics from across the disciplines came together to discuss the idea of suffering. This book is a product of that meeting, bringing together the ideas of 17 authors to discuss, from different perspectives, what does it mean to suffer and can meaning be made out of suffering?
Can You Just Sit with Me?

It takes time and space to grieve well. Sharing her own stories, Natasha Smith invites us into a reflection on grief and how to cling to hope even in our darkest moments. With practical tools and prayers that point us to God who always sits with us in our grief, this book creates space for us to grieve, learn, and heal in healthy ways.
Performing Pain

Author: Maria Cizmic
language: en
Publisher: Oxford University Press
Release Date: 2011-12-22
Time after time, people turn to music when coping with traumatic life events. Music can help process emotions, interpret memories, and create a sense of collective identity. In Performing Pain, author Maria Cizmic focuses on the late 20th century in Eastern Europe as she uncovers music's relationships to trauma and grief. The 1970s and 1980s witnessed a cultural preoccupation in this region with the meanings of historical suffering, particularly surrounding the Second World War and the Stalinist era. Journalists, historians, writers, artists, and filmmakers frequently negotiated themes related to pain and memory, truth and history, morality and spirituality during glasnost and the years leading up to it. Performing Pain considers how works by composers Alfred Schnittke, Galina Ustvolskaya, Arvo Pärt, and Henryk Górecki musically address contemporary concerns regarding history and suffering through composition, performance, and reception. Taking theoretical cues from psychology, sociology, and literary and cultural studies, Cizmic offers a set of hermeneutic essays that demonstrate the ways in which people employ music in order to make sense of historical traumas and losses. Seemingly postmodern compositional choices--such as quotation, fragmentation, and stasis--create musical analogies to psychological and emotional responses to trauma and grief, and the physical realities of their embodied performance focus attention on the ethics of pain and representation. Furthermore, as film music, these works participate in contemporary debates regarding memory and trauma. A comprehensive and innovative study, Performing Pain will fascinate scholars interested in the music of Eastern Europe and in aesthetic articulations of suffering.