Making Meaning Inference And Rhetoric In The Interpretation Of Cinema Pdf


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Making Meaning


Making Meaning

Author: David Bordwell

language: en

Publisher: Harvard University Press

Release Date: 1991-10


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With this book, the author provides a history of film criticism and an analysis of how critics interpret film as well as a proposal for an alternative programme of film studies.

The Romanian Cinema of Nationalism


The Romanian Cinema of Nationalism

Author: Onoriu Colăcel

language: en

Publisher: McFarland

Release Date: 2018-10-10


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Prior to the collapse of communism, Romanian historical movies were political, encouraging nationalistic feelings and devotion to the state. Vlad the Impaler and other such iconic figures emerged as heroes rather than loathsome bloodsuckers, celebrating a shared sense of belonging. The past decade has, however, presented Romanian films in which ordinary people are the stars--heroes, go-getters, swindlers and sore losers. The author explores a wide selection, old and new, of films set in the Romanian past.

Film Discourse Interpretation


Film Discourse Interpretation

Author: Janina Wildfeuer

language: en

Publisher: Routledge

Release Date: 2014-06-03


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This book contributes to the analysis of film from a multimodal and textual perspective by extending formal semantics into the realm of multimodal discourse analysis. It accounts for both the inferential as well as intersemiotic meaning making processes in filmic discourse and therefore addresses one of the main questions that have been asked within film theory and multimodal analysis: How do we understand film and multimodal texts? The book offers an analytical answer to this question by providing a systematic tool for the description of this comprehension process. It aims to advance knowledge of the various resources in filmic texts, the ways the resources work together in constructing meaning and the ways people understand this meaning construction. This new approach to film interpretation is thus able to remodel and improve the classical paradigm of film text analysis.