Making Kantha Making Home
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Making Kantha, Making Home
Author: Pika Ghosh
language: en
Publisher: University of Washington Press
Release Date: 2020-07-15
In Bengal, mothers swaddle their infants and cover their beds in colorful textiles that are passed down through generations. They create these kantha from layers of soft, recycled fabric strengthened with running stitches and use them as shawls, covers, and seating mats. Making Kantha, Making Home explores the social worlds shaped by the Bengali kantha that survive from the nineteenth and early twentieth centuries. In the first study of colonial-period women’s embroidery that situates these objects historically and socially, Pika Ghosh brings technique and aesthetic choices into discussion with iconography and regional culture. Ghosh uses ethnographic and archival research, inscriptions, and images to locate embroiderers’ work within domestic networks and to show how imagery from poetry, drama, prints, and watercolors expresses kantha artists’ visual literacy. Affinities with older textile practices include the region’s lucrative maritime trade in embroideries with Europe, Africa, and China. This appraisal of individual objects alongside the people and stories behind the objects’ creation elevates kantha beyond consideration as mere handcraft to recognition as art.
Making Kantha, Making Home
"Through richly sensual visual and narrative treatments of textiles, their makers, and their users, Making Kantha, Making Home explores the social worlds created by Bengali kantha that survive from the nineteenth and early twentieth century. The first study of colonial-period women's embroidery to situate these objects historically and socially, it brings technique and aesthetic choices into discussion with iconography and regional culture. Kantha typically are created from layers of recycled, soft fabric that are strengthened with running stitches and then further embroidered with colored threads. They have commonly been understood as the work of women, created for domestic use as shawls, bedcovers, seating mats, and infant swaddling blankets. Through examination of individual objects and the people and stories behind their creation, the book elevates kantha beyond consideration as mere handcraft to recognition as art. Drawing on ethnographic and archival research, inscriptions, and images, it situates embroiderers' work within domestic networks, entangled with memories, perceptions, sensorial resonance, and emotional experience. The textiles testify to the visual literacy and sophisticated mechanisms whereby skills were transmitted among embroiderers. Particular relationships with imagery in other media such as poetry, drama, prints, and watercolors testify to their access to a shared visual and social vocabulary, as well as affinity with older textile practices, including the region's lucrative maritime trade in embroideries"--
Kantha
A beautiful book on the tradition of kantha, a Bengali embroidery technique with a rich heritage rooted in storytelling and upcycling, with inspiration and techniques for contemporary makers. The word 'kantha' refers to both the style of running stitch, as well as the finished cloth: quilted textiles made from multiple layers of cast-off cloth, traditionally embroidered with threads pulled out from the borders of old saris and dhotis. These beautiful fabrics were created exclusively by women in the Bengal region of the Indian subcontinent. In this richly illustrated book, textile artist Ekta Kaul explores the history of the kantha tradition and finds objects of extraordinary beauty. She goes on to look at how the kantha spirit is inspiring artists today and discusses creative techniques to help you develop your own interpretations, alongside a dictionary of fundamental kantha stitches with supporting images and instructions. Steeped in the ethos of sustainability, emotional repair and mindful making, kantha will lead you to uncover a slower and more thoughtful approach to stitching.