Magic In The Web

A Magic Web

The tropical forest of Panama's Barro Colorado Island is a luxuriant community of plants and animals, pulsating with life and offering an astonishing view of nature's myriad processes. What does the forest look like? How do the activities of the forest's plants and animals create a community? In A Magic Web, photographer Christian Ziegler and evolutionary biologist Egbert Giles Leigh, Jr., invite readers to enter the marvelous world of Barro Colorado Island. This book is a unique combination of spectacular photography and clear, authoritative text written by an active scientist who has spent half a lifetime trying to understand the tropical forest. Luscious photographs of the forest reveal the wonderful diversity of its inhabitants and show many of the activities that give it its character and lend structure to its community. Drawing on decades of work on Barro Colorado Island, Egbert Leigh explains how the forest works: how plants and animals compete with but also depend on each other; how the solitary lives of cats contrast with the intricately organized lives of armies of ants; the variety of ways plants struggle for a place in the sun; and how these plants attract animals to pollenate their flowers. Finally, the book shows the importance of tropical forests to the people living near them, why they matter to the world at large, what we can learn from them, and how they differ from temperate-zone forests. Full of stunning full-color photographs accompanied by clear and accessible text, A Magic Web is a must for anyone planning to visit a tropical forest and for all those who wish they could.

Magic in the Web

In his earlier work on King Lear, Mr. Heilman combined a number of critical procedures to form a new and important approach to Shakespearian criticism. His study of Othello displays the maturity of insight and skill in analysis the years have brought him in developing his critical method. Mr. Heilman takes account of stage effects; he traces out literal and symbolic meanings; he analyzes plot relationships; he examines characters in terms of both their psychological and their moral situations, and style in relation to both character and meaning. He traces some effects due to historical meanings which have now been lost by certain words, and he tries to measure the impact of the drama upon, and its significance for, the modern consciousness. Mr. Heilman argues that Othello is at once "a play about love" and "a poem about love," and endeavors to find out how the poetry modifies and even helps determine the nature of the whole. He looks at numerous aspects of "action" (physical activity, psychological movement, intellectual operations) and "language" (speech habits, image types, recurrency in both literal and figurative language), and examines the essentially "dramatic" function of all of these. He finds the dramatis personae interwoven in relationships which may be seen, from one point of view, as "plot" and, from another, as the embodiment of complex themes. He treats Othello and Iago as figures that are not only fitted to a given stage but also represent permanent aspects of humanity-Iago with his "strategies against the spiritual order" and Othello with his "readiness in the victim."

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