Ma Famille

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La fin de la famille moderne

This book is neither an indictment of the new family nor a rallying cry. It is a classical exercise of family sociology that draws upon a range of disciplines -- history, anthropology, psychology, and demography -- to provide an interpretive model for understanding contemporary changes in the family. It explores traditional family forms in order to identify changes that gave birth to the ideal type of the modern family, and it discusses how the modern family's constituent elements (the family as institution, conjugal and parent-child relationships, and gender and sexuality) relate to modernity's central feature -- the concept of the individual. By reconstructing an archetype of the modern family, this book explains why individuals have experienced its deconstruction as a profound identity crisis.
'Eugénie et Mathilde, ou Mémoires de la famille du Comte de Revel', by Madame de Souza

Madame de Souza was an eighteenth-century political journalist of undisputed talent. She did not fear to accuse religion of falsely justifying intolerant political attitudes, or using indoctrination for little human gain. She dared to show that this achieved immediate social dislocation, and, in the long-term, grief and financial dysfunction. Eugénie et Mathilde, which documents revolutionary decisions made in Emigration, and the irrevocable futility of losing family, home, rank and property in war, fully reflects her approach. It is a complex and compelling story of one family and its experience of 1789-1797 - the years of exile during the French Revolution. Heart-rending decisions, forced departures, capital punishment and death of loved-ones make the novel as topical now as it was on the eve of Napoleon’s Russian Campaign. Souza’s plea for tolerance, fraternity and compromise on the part of the State and its enemies has a relevance that stretches out to the 21st Century; her message to include women in politics and not to make them suffer the unnecessary death of fathers, husbands, children and friends is even more current.This edition lifts the veil on a literary form of anti-sentimental romance, or the art of making historically accurate accounts masquerade as fiction. That, more than anything else, was Madame de Souza’s forte.