Luciano Salce

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The Encyclopedia of Film Composers

Author: Thomas S. Hischak
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2015-04-16
For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical materialImportant datesCareer highlightsAnalysis of the composer’s musical styleComplete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.
The Different Faces of Politics in the Visual and Performative Arts

Author: Mario Thomas Vassallo
language: en
Publisher: Taylor & Francis
Release Date: 2023-12-22
This book highlights the linkages between politics and governance and the arts. The essays in the volume show how visual and performative arts have challenged those in power – or conversely patronised by them – been used for propaganda, to stir up national fervour and found themselves at the receiving end of political censure. They focus on the tension and symbiosis between the politician and the artist foregrounding how they have always tried to influence, challenge and, in some cases, undermine one another. This volume will serve as an indispensable source for researchers and academics in political science, the humanities and performing arts.