Lowers Of Evil
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The Flowers of Evil
Takao Kasuga is a bookworm. And his favorite book right now is Baudelaire's Flowers of Evil. While the young man may often be seen lost in thought as he rabidly consumes page after page, Takao is not much of a student. Actually when we are first introduced to the middle school teen, we find him sneaking some reading as he receives and F on a recent language exam. Nakagawa is known as the class bully. When she is not receiving zeros she is usually muttering profanities to those around her. While she doesn't care for books or their readers, she does have a thing for troublemakers. Takao may not be one, but having read over his shoulder a few times, she knows he is not very innocent. If anything he is bored and aware of it. Together, by chance, they shake up their entire rural community as Takao tries to break out of his shell in a random moment of passion and affection...not directed towards Nakamura. And contrary to Takao's predictions, the girl he was falling for, Nanako Saeki, responds by eventually accepting the bibliophile for who he is. Or at least, who she thinks he is.
Flowers of Evil, Volume 2
Bookworm Takao and class bully Sawa may not appear to be the best couple, but together, by chance, they shake up their entire rural community to its core. In love with the class idol, Takao is given a chance to become a real hero and finally break out of his shell after righting a wrong he committed in a random moment of passion and affection. With the help, or blackmailing by, Sawa Nakamura, Takao is on his way to change his future and enter a world of decadence. Contrary to Takao's predictions, the girl he was falling for, Nanako Saeki, responds by eventually accepting the bibliophile for who he is. Or at least, who she thinks he is. In the second volume of Flowers of Evil, Takao's lies have given him new life with his now new girlfriend Nanako. And as he becomes closer to Nanako, his relationship with Sawa only deepens as the "contract" they share weighs heavily on the teen.
Baudelaire in China
Author: Gloria Bien
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2012-12-14
Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly regarded writers in twentieth-century China were drawn to Baudelaire's work, and some addressed it directly in their own writings. Bien draws upon H.R. Jauss's theory of the shifting and expanding horizons of expectation in the reading and interpretation of a literary work, and upon James J.Y. Lin's notion of "worlds" received and created by both author and reader, to show how poetic lines, images, and ideas, as well as Chinese critics' comments, eventually weave into a rich picture of Baudelaire's reception in China.