Looking At Mirror Wolf
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Lonely Castle in the Mirror
INTERNATIONAL BESTSELLER! A Studio Ghibli-esque work of Japanese translation “that lays bare the anxieties and desperation—and the small triumphs—of adolescence” (Locus), for fans of Mieko Kawakami’s Heaven. Seven students find unusual common ground in this warm, puzzle-like Japanese bestseller laced with gentle fantasy and compassionate insight. Bullied to the point of dropping out of school, Kokoro’s days blur together as she hides in her bedroom, unable to face her family or friends. As she spirals into despair, her mirror begins to shine; with a touch, Kokoro is pulled from her lonely life into a resplendent, bizarre fairytale castle guarded by a strange girl in a wolf mask. Six other students have been brought to the castle, and soon this marvelous refuge becomes their playground. The castle has a hidden room that can grant a single wish, but there are rules to be followed, and breaking them will have dire consequences. As Kokoro and her new acquaintances spend more time in their new sanctuary, they begin to unlock the castle’s secrets and, tentatively, each other’s. Lonely Castle in the Mirror is a mesmerizing, heart-warming novel about the unexpected rewards of embracing human connection.
The Flight of the Angels
It is a close study of four novels by Boris Vian. It aims to show how L'Écume des jours, L'Automne à Pékin, L'Herbe rouge and L'Arrache-coeur form a unified and coherent tetralogy. By establishing close links between these four texts, it becomes possible to achieve a more comprehensive understanding, not only of the significance of the tetralogy in exposing a complex and multi-layered novelistic strategy at the heart of the vianesque, but of the individual novels as autonomous creations. An examination of the novels reveals that they are not merely joined to one another via a superficial network of textual similarities (that which I refer to as intratextuality), but that this intertwining is emblematic of a common method of narrative construction. Each Vian novel is dependent, for a thorough understanding of the text to be possible, upon the multiple lines of external influence running through it. The sources of this influence (which I refer to as intertextuality) are located in various major texts of twentieth century literature, anglophone as well as francophone. Thus, in each instance the narrative is driven by a complicated interaction of intratextuality and intertextuality.
Quicksilver
A Victorian glass-reader and a psychic investigator play a deadly game of cat-and-mouse with a killer in the second installment of the New York Times bestselling Looking Glass Trilogy. Virginia Dean wakes at midnight beside a dead body, with a bloody knife in her hand and no memory of the evening’s events. Dark energy, emanating from the mirrors lining the room, overpowers her senses. With no apparent way in or out, she’s rescued by a man she’s met only once before, but won’t soon forget... Owen Sweetwater inherited his family’s talent for hunting the psychical monsters who prey on London’s women and children, and his investigation into the deaths of two glass-readers has led him here. The high-society types of the exclusive Arcane Society would consider Virginia an illusionist, a charlatan, even a criminal. But Owen knows better. Virginia’s powers are real—and so is the power she exerts over him simply with her presence. And if her abilities can be relied upon in the midst of great danger, they just might be the key to his investigation.