Linear Perspective Explained

Linear Perspective Explained

Linear Perspective Explained

This is an instructional book on the principles of perspective drawing. The authors provide an overview of the history and theory of perspective, as well as practical advice on how to apply these principles in drawing and painting. The book includes numerous examples and illustrations that help to clarify the concepts presented. This book is an essential guide for anyone interested in learning or teaching perspective drawing. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Linear Perspective Explained

From the PREFACE. It is a matter well known to all who have given attention to the subject, that a very general and strongly-marked increase of interest has been manifested in the study of Drawing within a few years past in the United States. The time has come when some practical knowledge of drawing is getting to be generally recognized by the public as an essential part of every thorough system of education. Drawing is now very generally taught both in our public and private schools. There is, however, no branch of the art more worthy of attention than that which forms the subject of this work, and there is none which receives so little. The ambition to have something to show, or the desire to make something pretty, misleads multitudes from a proper and systematic course of instruction. Those fundamental principles which lie at the basis of the art, and which teach us how we may accurately represent the forms and proportions of objects, are entirely overlooked. Weeks, and oftentimes months, are spent in copying, line for line, and dot for dot, some old ruin, and its usual accompaniments. The whole field of Art, save that which relates to color, is run over without the knowledge of a single principle involved. Those who have attempted the study, have, in most instances, spent their time in learning to copy the characters used in the expression of ideas, instead of studying the principles of the art. They have spent their time in pursuing the shadow, to the neglect of the substance. It has been the aim of the author, in preparing this work, to furnish the young with a text-book designed to impart a practical knowledge of the art of making truthful pictures of objects. We have aimed to place the subject within the reach of the boy of twelve years, and, in doing this, have studied to avoid the error into which many have fallen in their efforts to make the subject easy of comprehension - that of superficiality. This work differs from all others with which we are acquainted in one or more of the following particulars: - It contains a full explanation of first principles. No principle is used in the explanation of another, which has not itself been explained. The problems given are of a practical character. The method of sketching objects is explained in connection with the method of determining their perspectives by means of vanishing points. In determining the perspectives of objects, a reason is given why every line is drawn as it is. All explanations are as concise as possible, and in language that all may understand. At the close of the book may be found a series of questions.