Lightning Strikes The Silence
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Lightning Strikes the Silence
"The best Iona Whishaw novel yet." —Castlegar News Beginning with a bang, the latest mystery in the series Publishers Weekly calls “highly entertaining” is a study in bygone promises and lingering prejudice. A warm June afternoon in King’s Cove is interrupted by an explosion. Following the sound, Lane goes to investigate. Up a steep path she discovers a secluded cabin and, hiding nearby, a young Japanese girl injured and mute, but very much alive. At the Nelson Police Station, Inspector Darling and Sergeant Ames, following up on a report of a nighttime heist at the local jeweller’s, discover the jeweller himself dead in his office, apparently bludgeoned, and a live wire hanging off the back of the building. As Lane attempts to speed the search for the girl’s family with her own lines of inquiry, Darling and his team dig deeper into a local connection between the jeweller and a fellow businessman that leads across the pond to Cornwall and north to a mining interest on the McKenzie River. Offices are being ransacked and someone is following Lane. Through the alleyways of Nelson onto the country roads and woods trails of King’s Cove, the latest Winslow mystery is a study in bygone promises and lingering prejudice
Battlefields of Silence
When the surface of Earth was ruinously contaminated by radiation, it became a forbidden sanctuary. Though orphaned in the blackness of space, civilization struggled onward, persevering in sterile isolation. Now, centuries later, while the mighty space-faring superpowers war tirelessly for control of the solar system, humanity has adapted too well to its new home. None could survive exposure to a natural world. Or so it was understood. In the midst of a catastrophic but ultimately meaningless wargame, faced with imminent death from every direction, one remarkable Jovan fighter pilot chose to die pursuing a dream: the dream to look upon the landscapes of Earth with his own eyes. What he could never have anticipated was surviving the experience. Faced with both unspeakable beauty and terrible hardship, Jon has the singular opportunity to gaze into the mysteries of the past, and to stumble into the embrace of humanity's future.
American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.