Light On Snow
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Light on Snow
What makes a family? That's what twelve-year-old Nicky Dillon wonders after she and her widowed father discover a wailing abandoned baby in the snow-filled woods near their New Hampshire home. Through the days that follow, the Dillons and an unexpected visitor who soon turns up at their door-a young woman evidently haunted by her own terrible choices-face a thicket of decisions, each seeming to carry equal possibilities of heartbreak and redemption. Writing with all the emotional resonance that has drawn millions of readers around the world to her fiction, Anita Shreve unfolds in Light on Snow a tender and surprising novel about love and its consequences.
Light On Snow
I watched my father run forward in his snowshoes the way one sometimes does in dreams, unable to make the legs move fast enough. I ran to the place where he knelt. I looked down into the sleeping bag. A tiny face gazed up at me, the eyes wide despite their many folds. The baby was wrapped in a bloody towel, and its lips were blue.' The events of a December afternoon on which a father and his daughter find an abandoned infant in the snow will forever alter eleven-year-old Nicky Dillon's understanding of the world which she is about to enter and the adults who inhabit it: a father who has taken great pains to remove himself from society in order to put behind him an unthinkable tragedy; a young woman who must live with the consequences of the terrible choices she has made; and a detective whose cleverness is superseded only by his sense of justice. Written from the point of view of thirty-year-old Nicky as she recalls the vivid images of that fateful December, hers is a tale of love and courage, of tragedy and redemption, and of the ways in which the human heart always seeks to heal itself.
Cold Enough for Snow
The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them. 'So calm and clear and deep, I wished it would flow on forever.' — Helen Garner 'Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.' — Edouard Louis 'Au’s prose is elegant and measured. In descriptions of bracing clarity she evokes ‘shaking delicate impressions’ of worlds within worlds that are symbolic of the parts of ourselves we keep hidden and those we choose to lay bare. Put simply, this novel is an intricate and multi-layered work of art — a complex and profound meditation on identity, familial bonds and our inability to fully understand ourselves, those we love and the world around us.' — Jacqui Davies, Books+Publishing