Lien To Femininity
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Literature and the Visual Media
Essays on the links between film and fiction, and their mutual influence.Fiction and film interrelate closely to each other, and the specially commissioned essays in this volume all consider different aspects of this relationship. Beginning with discussions of Dickens and Victorian literature, the contributors, all leading scholars in this field, demonstrate how visual devices like the magic lantern caught the interest of writers and affected their choice of subject and method. The impact of the cinema on the British modernistsis then discussed, and the remaining essays provide detailed case studies on such subjects as Hemingway, Updike, and the depiction of women in contemporary fiction and film.
Between Sacrifice and Desire
This title explores the role of women in the politics of national identity in Vietnam. Drawing on diverse primary resources--including state news media, government contests, tabloid journalism, and extensive interviews--the author examines the intimate connection between notions of Vietnamese femininity and the cultural quandaries of modernity in post-colonial Vietnam. The book covers the socialist and market reform periods (from the 1950s through the 1990s) and examines women's central place--as both symbols and disciplined subjects--in Vietnam's socialist modernization and ongoing capitalist transition.
Romance and the Yellow Peril
Author: Gina Marchetti
language: en
Publisher: Univ of California Press
Release Date: 1994-02-15
Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema. The author begins with a discussion of D. W. Griffith's Broken Blossoms, then considers later films such as Shanghai Express, Madame Butterfly, and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now. Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.