Let S Take A Drive Lyrics
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Because of Her
This story is a love story about a young couple who are madly in love with each other. While they are living their carefree lives happily, tragedy strikes when Katherine becomes fatally ill. Andrew, her husband, cannot accept the possibility of losing her, but while Katherine loves and cares for her talented husband, she cannot imagine him living the rest of his life trapped in sadness and grief. Thinking that his talented songs and guitar playing will eventually help heal him, she secretly posts his recordings online, and they instantly become a tremendous hit. However, when Andrew receives a call from one of the largest, most intimidating recording studios, US Records, he is less than excited. While Katherine tries to push him to go on with his life, to go and pursue his career, and also, to try and regain some faith, Andrew does not like the idea of being away from her during these hard times and struggles to trust in things Katherine believes will help him through it all. But as he eventually obeys her wishes and goes forth with his new booming career, he struggles to continue on this journey and is determined to keep Katherine and their love a secret, as the love they share and the life they have feels like it is the only thing he has left to keep him steady. However, he nearly loses himself in the process when she sadly passes away. While Andrew is determined to walk away from his journey, in the end it is the pain and the spiritual experience he himself witnesses that slightly changes him in a way he never thought he would be. He becomes open to believing in the things that cannot always be explained, and during his final interview and farewell concert, he ends his journey where it all started, beginning with telling the truth about his wife, Katherine.
Ducktails, Drive-ins, and Broken Hearts
Author: Hank Davis
language: en
Publisher: State University of New York Press
Release Date: 2023-06-01
They all tried, but few singers and musicians from the 1950s became stars. Yet many of them had stories to tell that were far more interesting than the ones you already know. Author Hank Davis was bitten by the music bug as a teenager. By the time he entered college in 1959, he was no stranger to New York's recording studios and had a few 45s of his own on the market. Spanning a 45 year career in music journalism, Davis has spent time backstage, in motel rooms, and on tour buses to uncover stories that rarely made the official annals of pop music history. Based on hundreds of hours of interviews and new research, Ducktails, Drive-Ins, and Broken Hearts offers a fascinating, behind-the-scenes look at the winners and losers during rock 'n' roll's formative era. How did a decade as uptight and puritanical as the '50s produce so much cringe-worthy, politically incorrect music? What was it like to see a pale cover version of your latest record climb the charts while yours sat unplayed by mainstream radio stations? How did precious Elvis tapes end up in a Memphis landfill? And who was that thirteen-year-old girl who made a five-dollar vanity record at Sun just two years after Elvis had—and ended up singing backup on "Suspicious Minds" and "In the Ghetto?" This book is a must-read for all fans of '50s music. In the words of Jerry Phillips, son of Sun Records founder, Sam Phillips, "Hank Davis is one of the few guys who really gets it."
Let's Do It
The prequel to Bob Stanley's universally acclaimed Yeah Yeah Yeah, Let's Do It is the only book that brings together all genres to tell the definitive story of the birth of Pop, from 1900 to the mid-fifties. 'An absolute landmark/joy/gossip-fest/door to Narnia: the history of pop music before rock'n'roll. Fascinating. I can't recommend it enough.' CAITLIN MORAN 'An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the Twentieth Century.' NEIL TENNANT 'A perfect guidebook, filled with smart thinking and the kind of communicable enthusiasm that sends you rushing to the nearest streaming service, eager to hear what all the fuss was about.' ALEXIS PETRIDIS, GUARDIAN Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century . . . Who were the earliest record stars, and were they in any meaningful way 'pop stars'? Who were the likes of George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after the Second World War? The prequel to Bob Stanley's Yeah Yeah Yeah, Let's Do It is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Taking in superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life - from ragtime, blues and jazz to Broadway, country, crooning and beyond - Let's Do It is essential reading for all music lovers. 'Stanley has provided something invaluable to the growing numbers who get their music via streaming services: a guide to pop's back pages, where artists mostly remembered in sepia tones are brought into vivid colour by the author's enthusiastic sense of discovery.' BILLY BRAGG, NEW STATESMAN 'Inspired.' THE TIMES 'Remarkable.' CLASSIC ROCK 'Exhilarating.' CAUGHT BY THE RIVER 'Essential.' DAILY TELEGRAPH 'A joyous read.' THE ECONOMIST 'Wholly entertaining.' MOJO 'Enthralling.' DAILY MAIL 'Great fun.' LITERARY REVIEW 'Colossal .' UNCUT 'A joy.' RECORD COLLECTOR 'A triumph.' LOUD & QUIET