Let Only Red Flowers Bloom Identity And Belonging In Xi Jinping S China
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Let Only Red Flowers Bloom
A “gripping and scrupulously reported” (The Washington Post) investigation into the battle over identity in China, chronicling the state oppression of those who fail to conform to Xi Jinping’s definition of who is “Chinese,” from an award-winning NPR correspondent. “Emily Feng’s focus on ordinary people—bravely determined to shape their own lives—captures the mood of the Xi Jinping era more essentially than reams of statistics ever can.”—Evan Osnos, National Book Award winner, author of Age of Ambition The rise of China and its great power competition with the U.S. will be one of the defining issues of our generation. But to understand modern China, one has to understand the people who live there – and the way the Chinese state is trying to control them along lines of identity and free expression. In vivid, cinematic detail, Let Only Red Flowers Bloom tells the stories of nearly two dozen people who are pushing back. They include a Uyghur family, separated as China detains hundreds of thousands of their fellow Uyghurs in camps; human rights lawyers fighting to defend civil liberties in the face of mammoth odds; a teacher from Inner Mongolia, forced to make hard choices because of his support of his mother tongue; and a Hong Kong fugitive trying to find a new home and live in freedom. Reporting despite the personal risks, journalist Emily Feng reveals dramatic human stories of resistance and survival in a country that is increasingly closing itself off to the world. Feng illustrates what it is like to run against the grain in China, and the myriad ways people are trying to survive, with dignity.
Red Flower of China
Fifteen-year-old Zhenhua joined the Red Guard in 1966, led raids on homes, and cold-bloodedly beat her fellow citizens. In Red Flower of China, she recounts that time and explores her guilt.
A Hundred Flowers
Gail Tsukiyama's A Hundred Flowers is powerful novel about an ordinary family facing extraordinary times at the start of the Chinese Cultural Revolution China, 1957. Chairman Mao has declared a new openness in society: "Let a hundred flowers bloom; let a hundred schools of thought contend." Many intellectuals fear it is only a trick, and Kai Ying's husband, Sheng, a teacher, has promised not to jeopardize their safety or that of their young son, Tao. But one July morning, just before his sixth birthday, Tao watches helplessly as Sheng is dragged away for writing a letter criticizing the Communist Party and sent to a labor camp for "reeducation." A year later, still missing his father desperately, Tao climbs to the top of the hundred-year-old kapok tree in front of their home, wanting to see the mountain peaks in the distance. But Tao slips and tumbles thirty feet to the courtyard below, badly breaking his leg. As Kai Ying struggles to hold her small family together in the face of this shattering reminder of her husband's absence, other members of the household must face their own guilty secrets and strive to find peace in a world where the old sense of order is falling. Once again, Tsukiyama brings us a powerfully moving story of ordinary people facing extraordinary circumstances with grace and courage.