Lessons In Forgetting
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Lessons In Forgetting
When we first see Meera, she is a carefully groomed corporate wife with a successful career as a writer of cookbooks. Then one day her husband fails to come home after a party and she becomes responsible not just for her children but her mother and grandmother, and the running of Lilac House, their rambling old family home in Bangalore. Enter Professor J.A. Krishnamurthy, or JAK, a renowned cyclone studies expert, on a very different trajectory in life. In a bedroom in his house lies his nineteen-yearold daughter Smriti, left comatose after a vicious attack on her while she was on holiday at a beachside town. A wall of silence and fear surrounds the incident-the grieving father is helped neither by the local police, nor by her boyfriend in his search for the truth. Through a series of coincidences, Meera and JAK find their lives turning and twisting together, with the unpredictability and sheer inevitability of a cyclone. And as the days pass, fresh beginnings appear where there seemed to be only endings.
The Years of Forgetting
How does one rise above the trauma of child sexual abuse? Sofia Abdullah is now an international women’s and children’s rights champion, fighting for equality and fair treatment for disempowered groups all over the world. But she comes from a painful past—one in which she was sexually abused as a child by a family member. Taking many years to heal from the trauma, these are pages from her notes documenting her journey of coming to terms with what had happened. This is her journey of moving on.
Mistress
When travel writer Christopher Stewart arrives at a riverside resort in Kerala, India to meet Koman, Radha's uncle and a famous dancer, he enters a world of masks and repressed emotions. From their first meeting, both Radha and her uncle are drawn to the enigmatic young man with his cello and his incessant questions about the past. The triangle quickly excludes Shyam, Radha's husband, who can only watch helplessly as she embraces Chris with a passion that he has never been able to draw from her. Also playing the role of observer-participant is Koman; his life story, as it unfolds, captures all the nuances and contradictions of the relationships being made—and unmade—in front of his eyes. Booklist calls Mistress "Tempestuously exotic, Nair's intricately woven multicultural and multigenerational saga pulsates with passion and desire."