Leopoldo Mendez


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Leopoldo Méndez


Leopoldo Méndez

Author: Deborah Caplow

language: en

Publisher: University of Texas Press

Release Date: 2007-12-01


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Monografie over leven en werk van de Mexicaanse prentkunstenaar (1902-1969), met de nadruk op de jaren dertig en veertig waarin hij politiek zeer actief was. Ook de invloeden van en naar andere kunstenaars uit zijn tijd komen aan bod.

The Day of the Dead


The Day of the Dead

Author: Jean Moss

language: en

Publisher: Courier Corporation

Release Date: 2010-09-16


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Presents a collection of historical engravings depicting costumed skeletons representing the Mexican celebration of of Dia de los Muertos.

The Power and Politics of Art in Postrevolutionary Mexico


The Power and Politics of Art in Postrevolutionary Mexico

Author: Stephanie J. Smith

language: en

Publisher: UNC Press Books

Release Date: 2017-11-14


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Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Méndez, and Aurora Reyes, politicians began to appropriate the artists’ nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution’s legacy—and what it meant to be authentically Mexican.