Leonard Cohen Like A Bird On A Wire

Leonard Cohen on Leonard Cohen

“A treasure trove for Leonard Cohen fans—the dazzling, wide-ranging collection of interviews that Jeff Burger has unearthed not only offers the songwriter’s story in his own words but reveals that Cohen’s language in conversation can be every bit as magnificent as his lyrics.” —Alan Light, author of The Holy or the Broken This book collects more than fifty interviews with Leonard Cohen, one of the most admired performers of the last half century, conducted worldwide between 1966 and 2012, and also includes a foreword by singer Suzanne Vega and eight pages of rarely seen photos. In it, the artist talks about “Bird on the Wire,” “Hallelujah,” “Famous Blue Raincoat,” and his other classic songs. He candidly discusses his famous romances, his years in a Zen monastery, his ill-fated collaboration with producer Phil Spector, and his long battle with depression. He also comments on his sometimes controversial poetry and novels, the financial crisis that nearly wiped out his savings, and his remarkable late-career resurgence. Here you’ll find interviews that first appeared in the New York Times and Rolling Stone, but also conversations that have not previously been printed in English, as well as many illuminating reminiscences that contributors supplied specifically for this definitive anthology. Jeff Burger is the editor of Springsteen on Springsteen. He has contributed to Barron’s, Family Circle, GQ, the Los Angeles Times, Reader’s Digest, and more than seventy-five other magazines, newspapers, and books. He lives in Ridgewood, New Jersey.

Leonard Cohen - Like a Bird on a Wire

Leonard Cohen

Leonard Cohen has aimed high: to be all Jewish heroes at once. Like Jacob, he struggled with angels. Like David, he sang psalms and seduced women. Like Abraham, he moved from place to place and remained a stranger everywhere. But he never ceased doing what he did best: stepping into avalanches and reviving our hearts. From Montreal and New York to the Greek island of Hydra, Leonard Cohen: The Man Who Saw the Angels Fall follows the singer's cosmopolitan life and examines his perpetual dialogues with God, with himself, and with hotel rooms. After twenty years of research, Christophe Lebold, who spent time with the poet in Los Angeles, delivers a stimulating analysis of Cohen's life and art. Gracefully blending biography and essay, he interrogates the mission the singer had set out for himself: to show us that darkness is just the flip side of light. 'The first edition of my book was published in French in late 2013 to good reviews and few readers. Then came 2014. Leonard tells me that if we must meet, it should be soon. He tells me why. A few months later, I am on a plane to Los Angeles. From the first minute, we spoke like old friends, sometimes until late at night. Although he was not well, he let me watch him live for a little. We said things to each other that I can't repeat. It is not that they are secret; they are just very delicate. Like butterflies or hummingbirds. To repeat them would destroy them. We met again in Los Angeles two months later (he seemed in much better shape). We spent a last afternoon together; we hung out; we had a laugh; smoked a cigarette. And it was time to go. We stayed in touch. We were now friends. In his emails, he always talked about his health as an amusing detail, a little whim of the body. Two weeks before his death, I got a last, humorous, loving email warning me that the "body ferociously insists on gravitational rights." A little nod at my theme of the fall of men and angels. And then, he left. It broke my heart, of course, but that's what hearts are for.'