Learn To Read Music In 10 Lessons


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Learn to Read Music in 10 Lessons


Learn to Read Music in 10 Lessons

Author: Terence Ashley

language: en

Publisher:

Release Date: 2005


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"Learn to Read Music" is a complete audio-visual course. The 10 self-contained lessons introduce new ideas using jargon-free text, reinforced with a series of easy-to-follow exercises.

Reading Standard Music Notation for Mandolin & Fiddle


Reading Standard Music Notation for Mandolin & Fiddle

Author: Joe Carr

language: en

Publisher: Mel Bay Publications

Release Date: 2015-11-12


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If you have tried and failed to learn to read standard music notation for the mandolin or fiddle using traditional methods or you have never tried and want to, this book is for you. Learn to play from music in the mandolin- and fiddle-friendly major keys of C, G, D, A, F, and B-flat and their relative minor keys. Also learn to play in various time signatures including 4/4 (common time), 2/2 (cut time), 3/4 (waltz), and 6/8 (jig). You will also be taught to recognize and play whole notes, half notes, quarter notes, and eight notes.

Music for Life


Music for Life

Author: C. Victor Fung

language: en

Publisher: Oxford University Press

Release Date: 2016


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Music for Life: Music Participation and Quality of Life of Senior Citizens presents a fresh, new exploration of the impact of musical experiences on the quality of life of senior citizens, and charts a new direction in the facilitation of the musical lives of people of all ages. Authors Fung and Lehmberg clearly define the issues surrounding music education, music participation, quality of life, and senior citizens, discussing the most relevant research from the fields of music education, adult learning, lifelong learning, gerontology, medicine, music therapy, and interdisciplinary studies. At the heart of the book is Evergreen Town, a retirement community in the southeastern U.S.A., that serves as the backdrop for three original research studies. The first of these is in two phases, a survey and a focus group interview, that examines the histories and rationales for the music participations and non-participations of community residents. The second and third case studies take an in-depth look at a church choir and a bluegrass group, two prominent musical groups in the community, and include the perspectives of the authors themselves as group members and participant-observers. Fung and Lehmberg conclude with a challenge for the profession of music education: to act on this research and on the current advances in the field, to enable all people to benefit from the richness of music as a substantial contributor to quality of life.