L Imaginaire De L Archipel
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L'imaginaire de l'archipel
La référence à l'archipel, héritière des philosophies post-modernes et des critiques postcoloniales, est entrée en force dans les discours critiques francophonistes, à la suite d'Edouard Glissant. La métaphore a été mise au service, successivement, d'une modalité de regroupement, d'évanescence et de coalescence romanesques, ou de discontinuité répétitive. Aborder l'archipel, c'est d'abord tenter de le définir. On doit ensuite constater que l'archipel s'est offert à l'imaginaire de manière infiniment moins riche que l'île, à tel point que ceux qui habitent dans des archipels ne les ont jamais désignés comme tels. L'archipel serait-il seulement une démultiplication de l'île ? Ou, au contraire, serait-il purement et simplement négation de l'île ? Ici, des comparatistes, des sinisants, des politologues, des historiens, des céramistes, des linguistes s'interrogent, chacun à partir de sa discipline, sur les significations et sur la représentation du fait d'archipel : archipélagie, archipélité, archipélie.
Caribbean Interfaces
Contemporary research on Caribbean literature displays a rich variety of themes, literary and cultural categories, forms, genres, languages. Still, the concept of a unified Caribbean literary space remains questionable, depending upon whether one strictly limits it to the islands, enlarges it to adopt a Latin-American perspective, or even grants it inter-American dimensions. This book is an ambitious tentative to bring together specialists from various disciplines: neither just French, Spanish, English, or Comparative studies specialists, nor strictly "Caribbean literature" specialists, but also theoreticians, cultural studies scholars, historians of cultural translation and of intercultural transfers. The contributions tackle two major questions: what is the best possible division of labor between comparative literature, cultural anthropology and models of national or regional literary histories? how should one make use of "transversal" concepts such as: memory, space, linguistic awareness, intercultural translation, orature or hybridization? Case studies and concrete projects for integrated research alternate with theoretical and historiographical contributions. This volume is of utmost interest to students of Caribbean studies in general, but also to anyone interested in Caribbean literatures in Spanish, English and French, as well as to students in comparative literature, cultural studies and transfer research.
French Prose in 2000
French Prose in 2000 stems in some important measure from work presented in September 1998 at the International Colloquium on French and Francophone Literature in the 1990’s held at Dalhousie University. A good number of papers given at that time, and since revisited in the light of exchanges, join here certain others specifically written for the purposes of this book. Together they constitute a wide-ranging and modally varied interrogation of the current state of French and francophone prose writing, its multifaceted manners, its richly divergent fascinations, its many theoretical or philosophical groundings. The book thus ceaselessly moves its attention from fictional biography to the roman noir, from the writing of Glissant and Chamoiseau to that of the étonnants voyageurs, from the powerful discourse of women such as Chawaf or Condé, Ernaux or Germain, Sallenave or Kristeva, to that of writers as diverse in their modes as Le Clézio and Quignard, Duras and Renaud Camus. All chapters focus, however, in near-exclusive measure, on the prose production of the last ten or twelve years.