L Entretemps
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Women’s Narratives of Ageing and Care
Author: Emily Jeremiah
language: en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date: 2025-03-03
Care is fundamental to human survival, yet it is often overlooked, undermined, undervalued, and thought of as ‘women’s work’. Care of the old is particularly low in status and is too readily occluded. This volume asks why and how cultures of care for older people are negatively configured. It examines some of the powerful responses to relationships of intergenerational care in recent creative works by women. It thereby contributes to the contemporary imperative to transform care by investigating some of the ways in which care might be redefined and reconceptualized. Taking as its focus the representation or narrativization of care in theory, literature, visual culture, and performance, it engages with contemporary female-authored works from diverse cultural contexts, encouraging the development of comparative, cross-cultural perspectives. Narrative is key here, for it is in stories about ageing and care that the complexities and ambiguities of care relationships are made available, and that simplified ideas about them are challenged. This volume will be of interest to scholars in literary and cultural studies, gender studies, critical age studies, the medical and health humanities, and all who are interested in care.
The Freedom to Remain Silent
The role of silence in democratic settings should be rehabilitated. Democratic theories are concerned with mechanisms and institutions that counteract silence in society. As a supplement to this, it is first demonstrated that we must not forget how silence determines the significance and meanings of utterances made. Secondly, that silence can be used as a critical tool to get better listening, more open conversations, and greater thoughtfulness in the public sphere. The widely recognized freedom of expression should thus be supplemented with a freedom of silence, a freedom to let silence disturb the discursive relevance criteria.
The Routledge Companion to Michael Chekhov
Author: Marie Christine Autant Mathieu
language: en
Publisher: Routledge
Release Date: 2015-05-15
The Routledge Companion to Michael Chekhov brings together Chekhov specialists from around the world - theatre practitioners, theorists, historians and archivists – to provide an astonishingly comprehensive assessment of his life, work and legacy. This volume aims to connect East and West; theatre theory and practice. It reconsiders the history of Chekhov’s acting method, directing and pedagogy, using the archival documents found across the globe: in Russia, England, America, Germany, Lithuania and Switzerland. It presents Chekhov’s legacy and ideas in the framework of interdisciplinary theatre practices and theories, as well as at the crossroads of cultures, in the context of his forays into such areas as Western mime and Asian cosmology. This remarkable Companion, thoughtfully edited by two leading Chekhov scholars, will prove invaluable to students and scholars of theatre, theatre practitioners and theoreticians, and specialists in Slavic and transcultural studies. Marie-Christine Autant-Mathieu is Director of Research at the National Center For Scientific Research, and Assistant-Director of Sorbonne-CNRS Institute EUR’ORBEM. She is an historian of theatre and specialist in Russian and Soviet theatre. Yana Meerzon is Associate Professor in the Department of Theatre, University of Ottawa. Her book publications include Adapting Chekhov: The Text and Its Mutations, co-edited with Professor J. Douglas Clayton, University of Ottawa (Routlegde, 2012).