Kulturradikalisme

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A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950

A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.
Kulturradikalismens Musik

Author: Michael Fjeldsøe
language: da
Publisher: Museum Tusculanum Press
Release Date: 2013-10-01
Mange tænker kulturradikal musik som jazzpræget musik til kulturradikale tekster, og Bernhard Christensens melodier til tekster af Poul Henningsen (Ta’ og kys det hele fra mig, Byens lys) er blevet en slags musikalske ikoner for kulturradikalismen. Men kulturradikalismens musik er meget andet end det. Det afgørende er, at der opstår en særlig problembevidsthed, spørgsmål, som de kulturradikale komponister og musikere forsøger at levere musikalske svar på. I Kulturradikalismens musik forsøger Michael Fjeldsøe at trænge bag om denne tankegang. Han kortlægger, hvordan kulturradikalismen kommer til udtryk i forestillinger om engagement, progressivitet og frigørelse, og hvordan sådanne idealer kan omsættes i musik. Det kan tage form af teatermusik, revymusik, filmmusik og politisk agitationsmusik, men det er også grundlaget for hele den kulturradikale musikpædagogik, for synet på jazz og for den danske Brecht-reception. Michael Fjeldsøe definerer kulturradikal musik som moderne musik, der havde en konkret anvendelse for øje og et frigørende perspektiv. I spændingsfeltet mellem musik, kultur og politik giver Kulturradikalismens musik på én og samme tid den første samlede beskrivelse af et centralt afsnit i dansk musikhistorie og en bredere fremstilling af mellemkrigstidens kulturhistorie.
The Danish Avant-Garde and World War II

This is the first book to focus on Helhesten (The Hell-Horse), an avant-garde artists’ collective active during the Nazi occupation of Denmark and one of the few tangible connections between radical European art groups from the 1920s to the 1960s. The Danes’ deliberately unskilled painterly abstraction, embrace of the tradition of dansk folkelighed (the popular) and its iterations of egalitarianism and consensus reform, called for the political relevance of art and interrogated the ideologies underlying culture itself. The group’s cultural activism presents an alternative trajectory of continuity, which challenges the customary view of World War II as a moment of artistic rupture.