King Of Trees In World
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The Glorious Life of the Oak
AS FEATURED ON 'BBC RADIO 4 'GOOD READS'. Woodlands Awards 2019: Woodland Books of the Year 'The oak is the wooden tie between heaven and earth. It is the lynch pin of the British landscape.' The oak is our most beloved and most common tree. It has roots that stretch back to all the old European cultures but Britain has more ancient oaks than all the other European countries put together. More than half the ancient oaks in the world are in Britain. Many of our ancestors - the Angles, the Saxons, the Norse - came to the British Isles in longships made of oak. For centuries the oak touched every part of a Briton's life - from cradle to coffin It was oak that made the 'wooden walls' of Nelson's navy, and the navy that allowed Britain to rule the world. Even in the digital Apple age, the real oak has resonance - the word speaks of fortitude, antiquity, pastoralism. The Glorious Life of the Oak explores our long relationship with this iconic tree; it considers the life-cycle of the oak, the flora and fauna that depend on the oak, the oak as medicine, food and drink, where Britain's mightiest oaks can be found, and it tells of oak stories from folklore, myth and legend.
Trees of Paradise and Pillars of the World
Author: Elizabeth A. Newsome
language: en
Publisher: University of Texas Press
Release Date: 2001-09-15
"Based on a thorough analysis of the imagery and inscriptions of seven stelae erected in the Great Plaza at Copan, Honduras, by the Classic Period ruler 18-Rabbit-God K, this study argues that stelae were erected not only to support a ruler's temporal claims to power but more importantly to express the fundamental connection in Maya worldview between rulership and the cosmology inherent in their vision of cyclical time. After an overview of the archaeology and history of Copan and the reign and monuments of 18-Rabbit-God K, Elizabeth Newsome interprets the iconography and inscriptions on the stelae, illustrating the way they fulfilled a coordinated vision of the king's ceremonial role in Copan's period-ending rites. She also links their imagery to key Maya concepts about the origin of the universe, expressed in the cosmologies and mythic lore of ancient and living Maya peoples." "Because previous scholarship has never assigned all seven monuments to a single period or the patronage of one ruler, the uniqueness of Newsome's study lies in the way it explicates the overall meaning and function of the stela series with respect to the long-term activities and agendas of one king."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Trees of Paradise and Pillars of the World
Author: Elizabeth A. Newsome
language: en
Publisher: University of Texas Press
Release Date: 2010-07-05
Assemblies of rectangular stone pillars, or stelae, fill the plazas and courts of ancient Maya cities throughout the lowlands of southern Mexico, Guatemala, Belize, and western Honduras. Mute testimony to state rituals that linked the king's power to rule with the rhythms and renewal of time, the stelae document the ritual acts of rulers who sacrificed, danced, and experienced visionary ecstasy in connection with celebrations marking the end of major calendrical cycles. The kings' portraits are carved in relief on the main surfaces of the stones, deifying them as incarnations of the mythical trees of life. Based on a thorough analysis of the imagery and inscriptions of seven stelae erected in the Great Plaza at Copan, Honduras, by the Classic Period ruler "18-Rabbit-God K," this ambitious study argues that stelae were erected not only to support a ruler's temporal claims to power but more importantly to express the fundamental connection in Maya worldview between rulership and the cosmology inherent in their vision of cyclical time. After an overview of the archaeology and history of Copan and the reign and monuments of "18-Rabbit-God K," Elizabeth Newsome interprets the iconography and inscriptions on the stelae, illustrating the way they fulfilled a coordinated vision of the king's ceremonial role in Copan's period-ending rites. She also links their imagery to key Maya concepts about the origin of the universe, expressed in the cosmologies and mythic lore of ancient and living Maya peoples.