Kill Me Again Full Movie
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Kill Me, Again
A serial killer throws an open challenge by killing the wife of case investigation officer; the most baffling case then gets reassigned to Madhumita Sharma from CBI. After an exhaustive investigation, Madhumita unveils the killer’s hatred towards God and the uncanny pattern in which the murders were being executed. Visesh Gupta, owner of a private investigation firm, specializes in solving missing cases. He gets acquainted with Madhumita when their paths cross during one such missing case. Visesh gives a tip about the serial killer to the police, and in an attempt to kill his so-called last victim, the killer gets shot by Madhumita. Things take an interesting turn when Visesh solves a mysterious case and in the course, realizes that the notorious serial killer is still on the loose. It gets further complicated when the killer starts a nasty game of hide-and-seek with Visesh while police start suspecting Visesh. Visesh, who is now running against time to save his family, joins hands with Madhumita to stop a killer who is always two and half steps ahead of them.
John Dahl and Neo-Noir
In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994). Subsequent to their releases, these three films became identified in academic film criticism as neo-noir, and Dahl was labeled a "noir-meister" who made "a cottage industry of neo-noir." The importance of these three films, and Monaco's investigation of them, is how they illuminate a modern director's creative process in relation to an emerging genre. Dahl is rightly recognized for his directorial vision and his creative style. His approach to film direction, and his distinctiveness of vision, is thoroughly explored in the book. Using interviews with the professionals with whom Dahl has worked closely, Monaco also explores basic notions about auteurism and how genre is defined. Considering Dahl's extensive directing for television alongside his first three films, John Dahl and Neo-Noir ultimately demonstrates how this groundbreaking director is a prime example of a modern "director for hire."
Fiasco
Author: James Robert Parish
language: en
Publisher: Turner Publishing Company
Release Date: 2008-05-02
A longtime industry insider and acclaimed Hollywood historian goes behind the scenes to tell the stories of 15 of the most spectacular movie megaflops of the past 50 years, such as Cleopatra, The Cotton Club, and Waterworld. He recounts, in every gory detail, how enormous hubris, unbridled ambition, artistic hauteur, and bad business sense on the parts of Tinsel Town wheeler-dealers and superstars such as Elizabeth Taylor, Clint Eastwood, and Francis Ford Coppola, conspired to engender some of the worst films ever.