Katzenjammers Closed


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Kalooki Nights


Kalooki Nights

Author: Howard Jacobson

language: en

Publisher: Random House

Release Date: 2010-12-15


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‘This book is Jacobson’s masterpiece’ Jonathan Freedland 'A work of genius' A.C. Grayling, The Times Wild, angry and uproarious, Kalooki Nights is a darkly comic, timely novel of what it means to be human. Max Glickman is son to an atheist boxer, Jack 'The Jew' Glickman, and a glamorous card-playing mother. Growing up in the peace and security of the 1950s Manchester suburbs, the word 'extermination' haunts his vocabulary and Nazis lurk in his imagination. When his childhood friend Manny is released from prison, the tug of religion and history proves too strong to be ignored and Max must accept there is no refuge from the dead... 'Raging, contentious, hilarious, holy, deicidal, heart-breaking’ Sunday Telegraph

Incorrigibles and Innocents


Incorrigibles and Innocents

Author: Lara Saguisag

language: en

Publisher: Rutgers University Press

Release Date: 2018-10-05


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Nominated for Eisner Award | Winner of the 2018 Ray and Pat Browne Award | Winner of the Charles Hatfield Book Prize from the CSS Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Incorrigibles and Innocents addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Lara Saguisag demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.

The Dark at the End


The Dark at the End

Author: F. Paul Wilson

language: en

Publisher: Tor Books

Release Date: 2011-10-11


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The New York Times bestselling Repairman Jack Novels from F. Paul Wilson returns with The Dark at the End Bound by his promise to Glaeken, Jack has refrained from making any direct moves against Rasalom. But things have changed so there's nothing holding Jack in check any longer. Other changes are occurring as well. Jack is healing at an accelerated rate--much like Glaeken did when he was immortal. This can only mean that Glaeken's time is almost up and when he dies, Jack takes his place. Rasalom continues to plot against the Lady. Twice she has died and returned; a third time and she will be gone, leaving a clear path for the Otherness to infiltrate this reality. But Ernst Drexler, formerly Rasalom's go-to guy for logistical support, fears he will be left out in the cold when the Change comes. He forms an uneasy alliance with Jack, who is preparing to face their old enemy. Meanwhile, Dawn Pickering is searching for her supposedly dead baby. The trail leads her to a mansion in a remote Long Island coastal town, where she discovers a truth she could have never imagined. Now the stage is set for Jack's massive assault on Rasalom. Jack knows he's got just one shot. But it's not just a matter of taking out Rasalom: he also must safely retrieve Dawn's child and minimize collateral damage. So, he comes up with a foolproof plan. But fools are always with us.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.