Kalikapurana
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Kalikapurana
Author: Biswanarayan Shastri
language: en
Publisher: Motilal Banarsidass Publ.
Release Date: 1994
Kalikapurane Murtivinirdesah, ninth in the series of the Kalamulasastra programme is a compilation of about 550 verses from the Kalika Purana which give physical description of a number of gods, goddesses, and demi-gods etc. While some of them are simply conceptual, others are represented in stone and metallic sculptures.
Selected Studies on Ritual in the Indian Religions
Preliminary Material /Ria Kloppenborg -- Introduction /Ria Kloppenborg -- The Concluding Bath of the Varunapraghāsa /Jan Gonda -- The Fourth Priest (The Brahmán) in Vedic Ritual /Henk W. Bodewitz -- The Changing Pattern of Pāñcarātra Initiation: A Case Study in the Reinterpretation of Ritual /Sanjukta Gupta -- Some Beliefs and Rituals Concerning Time and Death in the Kubjikāmata /Teun Goudriaan -- Protective Covering (Kavaca) /Karel R. van Kooij -- Interpreting Fire-Walking /Kees W. Bolle -- A Magic Kĕris from Kalimantan /Jan A. Schoterman -- The Earliest Buddhist Ritual of Ordination /Ria Kloppenborg -- Spells on the Life-Wood. An Introduction to the Tibetan Buddhist Ceremony of Consecration /Losang Paldhen Gyalzur and Antony H.N. Verwey -- Index of Ritual Terms /Ria Kloppenborg -- Notes on Authors /Ria Kloppenborg -- Bibliography D.J. Hoens /Ria Kloppenborg.
In Praise of the Goddess
About 16 centuries ago, an unknown Indian author or authors gathered together the diverse threads of already ancient traditions and wove them into a verbal tapestry that today is still the central text for worshippers of the Hindu Devi, the Divine Mother. This spiritual classic, the Devimahatmya, addresses the perennial questions of the nature of the universe, humankind, and divinity. How are they related, how do we live in a world torn between good and evil, and how do we find lasting satisfaction and inner peace? These questions and their answers form the substance of the Devimahatmya. Its narrative of a dispossessed king, a merchant betrayed by the family he loves, and a seer whose teaching leads beyond existential suffering sets the stage for a trilogy of myths concerning the all-powerful Divine Mother, Durga, and the fierce battles she wages against throngs of demonic foes. In these allegories, her adversaries represent our all-too-human impulses toward power, possessions, and pleasure. The battlefields symbolize the field of human consciousness on which our lives' dramas play out in joy and sorrow, in wisdom and folly. The Devimahatmya speaks to us across the ages of the experiences and beliefs of our ancient ancestors. We sense their enchantment at nature's bounty and their terror before its destructive fury, their recognition of the good and evil in the human heart, and their understanding that everything in our experience is the expression of a greater reality, personified as the Divine Mother.