Jumping The Color Line
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Jumping the Color Line
Author: Susie Trenka
language: en
Publisher: Indiana University Press
Release Date: 2021-02-02
From the first synchronized sound films of the late 1920s through the end of World War II, African American music and dance styles were ubiquitous in films. Black performers, however, were marginalized, mostly limited to appearing in "specialty acts" and various types of short films, whereas stardom was reserved for Whites. Jumping the Color Line discusses vernacular jazz dance in film as a focal point of American race relations. Looking at intersections of race, gender, and class, the book examines how the racialized and gendered body in film performs, challenges, and negotiates identities and stereotypes. Arguing for the transformative and subversive potential of jazz dance performance onscreen, the six chapters address a variety of films and performers, including many that have received little attention to date. Topics include Hollywood's first Black female star (Nina Mae McKinney), male tap dance "class acts" in Black-cast short films of the early 1930s, the film career of Black tap soloist Jeni LeGon, the role of dance in the Soundies jukebox shorts of the 1940s, cinematic images of the Lindy hop, and a series of teen films from the early 1940s that appealed primarily to young White fans of swing culture. With a majority of examples taken from marginal film forms, such as shorts and B movies, the book highlights their role in disseminating alternative images of racial and gender identities as embodied by dancers – images that were at least partly at odds with those typically found in major Hollywood productions.
Jump
Asks how we can better understand a politics of refusal Writing a new story of Black politics, Jump emerges from the practice of enslaved Africans jumping overboard off their slavers’ ships. Reading against the narrative that depoliticizes and denigrates the leaps of the enslaved as merely suicidal symptoms of chattel slavery and the Middle Passage, Sam C. Tenorio demonstrates how bringing these jumps to bear on the foundations of Black politics allows us to rethink a politics of refusal. In a period of increasing political mobilization against police brutality and mass incarceration, Jump attends to the layers of confinement that constitute the racial and gendered hierarchies of the antiblack world. Centering radical acts too often relegated to the periphery of Black politics, Tenorio proposes a Black anarchist politics of refusal that helps us to think dissent anew. Tracing iterations of the jump through the carceral wake of the slave ship, Tenorio explores the voyages of the Black Star Line in defiance of the bordered authority of the nation state, the Watts Rebellion of 1965 against the property relation of ghettoization, and Assata Shakur’s abscondence from prison to Cuba. Ultimately, Tenorio argues that considering the jump as a progenitor of Black politics deepens and widens our conceptualization of the Black radical tradition and introduces a paradigm-shifting attention to Black anarchism.
A Legacy of Liberation
A gripping social history of South Africa's past and future and beautifully narrated by one of Africa's most esteemed journalists, From Struggle to Liberation sheds light on the future of the nation under a new regime. With unprecedented access to Thabo Mbeki and the top brass in the African National Congress, Mark Gevisser weaves a nuanced portrait of the black experience under apartheid. Revelations about the current president and the politics that continue to shape South Africa include: - Thabo Mbeki's difficult relationship with his own political activist and largely absent father Govan Mbeki, who was imprisoned on Robben Island with Nelson Mandela. - How the death of his son Kwanda in the diamond mines and the murder of his brother Jama directly affected his leadership and will continue to shape the governance of Africa for years to come. - The reasons behind Mbeki's puzzling refusal to admit that the HIV virus causes AIDS, which in South Africa claims 800 lives per day, and his support of corrupt governments such as Zimbabwe's. - Inside rivalry between Thabo Mbeki and Jacob Zuma, the populist leader destined to take over as president in 2009. This accessible account of a monumental period in world history is the definitive look at contemporary South Africa.